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020 _a057113078X (pbk.)
020 _a9780571130788
035 _a(AuNcU)b19502631-61uon_inst
040 _aBNB
_beng
_cBNB
_dSUSA
_dAMPA
041 1 _aeng
_hger
050 0 0 _aMT50
082 0 4 _220
_a781.25
_bSCH
100 1 _aSchoenberg, Arnold
_d1874-1951
_eauthor
240 1 0 _aHarmonielehre
_lEnglish
245 1 0 _aTheory of harmony /
_cArnold Schoenberg ; translated by Roy E. Carter.
260 _aLondon :
_bFaber,
_c©1983.
300 _axxi, 440 p. :
_bill., music ;
_c26 cm.
500 _aOriginally published: 1978.
500 _aTranslation of: Harmonielehre.
504 _aIncludes bibliographical references and index.
505 _tI. Theory or System of Presentation? --
_tII. The Method of Teaching harmony --
_tIII. Consonance and Dissonance --
_tIV. The Major Mode and the Diatonic Chords --
_tV. The Minor Mode --
_tVI. Connection of chords That Have No Common Tone (Harmonisches Band) --
_tVII. Some Directions for Obtaining Better progressions; Concerning Melodic Conduct of the Two Outer Voices; Then Concerning Closes, Cadneces, Deceptive Cadences, and the Six-Four Chord in the Cadence --
_tVIII. Freer Treatment of VII in Major and Minor --
_tIX. Modulation --
_tX. Secondary Dominants and Other NonDiatonic Chords Derived From The Church Modes --
_tXI. Rhythm (Takt) and Harmony --
_tXII. Modulations; Continuation --
_tXIII. Relationship to the Minor Subdominant --
_tXIV. At the Frontiers of Tonality --
_tXV. Modulation to the IInd, Vth, and VIth, Circles of the Fifths, to the VIIth, and VIIIth, and Also to More Closely Related Circles by Segments and Through Intermediate Keys --
_tXVI. Chorale Harmonization --
_tXVII. 'Non-Harmonic' Tones --
_tXVIII. A Few Remarks Concerning Ninth Chords --
_tXIX. Some Additions and Schematic Presentations to Round Out the System --
_tXX. The Whole-Tone Scale and Related Five and Six part Chords --
_tXXI. Chords Constructed in Fourths --
_tXXII. Aesthetic Evaluation of Chords With Six or More Tones.
650 0 _aHarmony
700 1 _4trl
_aCarter, Roy E.
942 _2ddc
_cBK
999 _c6628
_d6628