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020 _a0340215178
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035 _a(CStRLIN)CSUG5417805-B
035 _a(OCoLC-M)3100658
035 _a(OCoLC-I)272988472
040 _aCSt
_cCSt
_dOrLoB
_dAMPA
082 0 4 _220
_a792.809
_bWOO
100 1 _aWoodward, Ian
_d1941-
_eauthor
245 1 0 _aBallet /
_cIan Woodward.
260 _aSevenoaks, Eng. :
_bHodder and Stoughton,
_c©1977.
300 _avi, 430 p. :
_bill. ;
_c20 cm.
440 _aTeach yourself books
500 _aIncludes index.
504 _aBibliography: p. [411]-414.
505 _tPart One - THE NATURE OF BALLET :
_t1. Ballet: A Brief Definition --
_t2. The Dancer --
_t3. Drama without Words --
_t4. Music and Movement --
_t5. Scenery, Costumes and the Designer --
_t6. Mime: Communicating by Gesture --
_t7. Ballet: Why it appeals --
_tPart Two - THE BIRTH OF BALLET - ITS RISE AND FALL :
_t8. Dancing Through the Ages --
_t9. The Romantic Ballet --
_t10. The Development of Ballet in Russia --
_tPart Three - EVOLUTION BY REVOLUTION :
_t11. The Diaghilev Ballet and the Ballet Russes --
_t12. The Grand Ballet du Marquis de Cuevas --
_tPart Four - THE ASCENDANCY OF TWENTIETH-CENTURY BALLET :
_t13. Ballet in France --
_t14. Ballet in Italy --
_t15. Ballet in Denmark --
_t16. Ballet in the Soviet Union --
_t17. Ballet in Britain --
_t18. Ballet in America --
_t19. Ballet Around the World /
_rCanada ; South America ; Ireland ; Holland ; Germany ;Austria, Switzerland ; Belgium ; Spain ; Portugal ; Sweden ; Norway ; Finland ; Turkey ; Israel ; Iran ; Romania ; Yugoslavia ; Hungary ; Czechoslovakia ; Poland ; Bulgaria ; China ; Japan ; Australia ; New Zealand ; South Africa --
_tPart Five - BREAKING BARRIERS FOR TOMORROW'S BALLET :
_t20. A Dancer's Training --
_t21. Some misconceptions --
_t22. Epilogue: Classical Ballet, Contemporary Dance, and Alto-Classicism --
_tPart Six - WHO'S WHO AND WHAT'S WHAT :
_t23. Who's Who /
_rDancers ; Choreographers ; Composers ; Contemporary Mime Artists --
_t24. The Language of Ballet --
_t25. The Ballet Repertory --
_tAcknowledgements --
_tFurther Reading --
_tIndex of Ballets.
520 _a"Here is a book for both beginners and the keen ballet-goer. The story of dance is followed from its beginnings with the Romans and Ancient Greeks, through the Renaissance and the Romantic Ballet, to the modern dance of the twentieth century. In addition to this account of the historical development of ballet; there are unique and fascinating sections on the nature of baller and its appeal to audiences today, while an insoortant feature of this book is its complete reference section of dancers, choreographers, composers, designers, and ballets - contemporary and classical - in the international repertory. Throughout the emphasis is placed on twentieth-century ballet and in this respect every major country in the world is discussed." -- Back cover.
650 0 _aBallet
942 _2ddc
_cBK
999 _c5327
_d5327