000 | 01781nam a2200325 a 4500 | ||
---|---|---|---|
001 | 3060578 | ||
003 | OSt | ||
005 | 20191112133007.0 | ||
008 | 960523s1995 caua 000 0 eng | ||
010 | _a | ||
020 | _a0634037366 | ||
035 | _a(OCoLC)ocn688854576 | ||
035 | _a(DLC) 2003555575 | ||
040 |
_aDLC _beng _cDLC _dCtY-Mus _dAMPA |
||
050 | 0 | 0 |
_aMT50 _b.H293 1995 |
082 | 0 | 4 |
_220 _aO 781.2164 _bHAR |
100 | 1 |
_aHarrison, Mark, _d1956- _eauthor |
|
245 | 1 | 0 |
_aContemporary music theory level 3 : _ba complete harmony and theory method for the pop & jazz musician / _cby Mark Harrison. |
260 |
_aSherman Oaks, CA : _bHarrison Music Education Systems ; _aMilwaukee, WI : _bHal Leonard, _c©2001. |
||
300 |
_ax, 380 p. : _bill. ; _c28 cm. |
||
505 |
_tCH 1: Review of Contemporary Music Theory Level One -- _tCH 2: Review of Contemporary Music Theory Level Two -- _tCH 3: The 'Contemporary Shape Concept' -- _tCH 4: Major Chords -- _tCH 5: Minor 7th chords -- _tCH 6: Minor 7th (with flatted 5th) chords -- _tCH 7: Minor 6th & minor major 7th chords -- _tCH 8: Unaltered dominant 7th chords -- _tCH 9: Dominant 7th (with flatted 5th/sharped 11th) chords -- _tCH 10: Dominant 7th (with flatted/sharped 9th) chords -- _tCh 11: Dominant 7th (with sharped 5th/flatted 13th) chords -- _tCH 12: Diminished 7th chords -- _tAPPENDIX 1: Chord 'stacks' for all major, minor, dominant and diminished chords -- _tAPPENDIX 2: Scale sources for all major, minor, dominant and diminished chords -- _tGLOSSARY. |
||
650 | 0 | _aHarmony. | |
650 | 0 |
_aPopular music _xInstruction and study. |
|
650 | 0 |
_aJazz _xInstruction and study. |
|
653 | _aHarmony | ||
653 | _aTheory | ||
906 |
_a7 _bcbc _corignew _d4 _encip _f19 _gy-gencatlg |
||
942 |
_2ddc _cBK |
||
999 |
_c484 _d484 |