000			03556nam a22002657a 4500
003			OSt
005			20190805104506.0
008			190805b xxu||||| |||| 00| 0 eng d
020			_a0903102307
020			_a0903102315 (pbk.)
035			_a(OCoLC)ocm07656360
035			_afbl00599009
040			_aIAY _beng _cIAY _dDVP
082	0	4	_220 _a792.809 _bCOH
100	1		_aCohen, Selma Jeanne _d1920-2005 _eauthor
245	1	0	_aDance as a theatre art : _bsource readings in dance history from 1581 to the present / _cedited with commentary by Selma Jeanne Cohen.
250			_a1st British ed.
260			_aLondon : _bDance Books, _c1977.
300			_aviii, 224 p. : _bill. ; _c23 cm.
500			_aFirst published in 1974.
504			_aBibliography: p. [217]-224.
505			_tIntroduction~The Evolution of Theatre Dance -- _tSection One~The Court Ballet : _tRules and Directions for Dancing the "Passo e Mezo," from Il Ballerino (Venice, 1581) / _rFabritio Caroso -- _tBallet Comique de la Reine (Paris, 1582) / _rBalthasar de Beaujoyeulx -- _tHow to Compose Successful Ballets, from La Manière de composer et faire réussir les ballets (Paris, 1641) / _rSaint-Hubert -- _tSection Two~Dance for the Eye and the Heart: The Eighteenth Century : _tThe Minuet, from Der Rechtschaffener Tantzmeister (Leipzig, 1717) / _rGottfried Taubert -- _tThe Loves of Mars and Venue (London, 1717) / _rJohn Weaver -- _tTwo Letters on Dancing, from Lettres sur la danse et les ballets (Stuttgart, 1760) / _rJean Georges Noverre -- _tSection Three~The Invasion of the Air: The Romantic Era : _tAn Account of the Principles of Our Traditions, from Théorie de la gymnastique de la danse théâtrale (Paris, 1859) / _rG. Léopold Adice -- _tLa Syliphide (Copenhagen, 1836) / _rAugust Bournonville -- _tReviews of Fanny Cerrito and Marie Guy-Stéphan, from La Presse (1846, 1853) / _rThéophile Gautier -- _tSection Four~New Life from Russia : _tThe Sleeping Beauty (St. Petersburg, 1889) / _rMarius Petipa -- _tThe New Ballet, from Argus (1916) / _rMichel Fokine -- _tThe Creation of "Parade," from My Life in Ballet (New York, 1968) / _rLéonide Massine -- _tThe Spirit of the Classic Dance, from Theatre Arts Monthly (1925) / _rAndré Levinson -- _tSection Five~The Modern Dance: Moving from the Inside Out : _tThe Dancer of the Future, from The Art of the Dance (New York, 1928) / _rIsadora Duncan -- _tMusic Visualization, from The Denishawn Magazine (1925) / _rRuth St. Denis -- _tA Modern Dancer's Primer for Action, from Dance: A Basic Educational Technique (New York, 1941) / _rMartha Graham -- _tNew Dance (New York, 1935) / _rDoris Humphrey -- _tThe Philosophy of Modern Dance, from Europa (1933) / _rMary Wigman -- _tSection Six~The Extension of the Classical Tradition : _tThe Construction of the Lesson, from Basic Principles of Classical Ballet (Leningrad, 1934) / _rAgrippina Vaganova -- _tOur Point of View, from The Bolshoi Ballet (Moscow, 1960) / _rYuri Slonimsky -- _tA Conversation, from Covent Garden Book (1964) / _rFrederick Ashton -- _tTalk About New Ballets, from Dance Magazine (1966) / _rAntony Tudor -- _tDances at a Gathering, from Dance Magazine (1969) / _rJerome Robbins -- _tWork in Progress, from Intellectua; Digest (1972) / _rGeorge Balanchine -- _tSection Seven~Recent Rebels : _tTwo Questions and Five Dances, from Dance Perspectives (1968) / _rMerce Cunningham -- _tPlan for a Television Production of "Tent," from Dance Perspectives (1971) / _rAlwin Nikolais -- _t"Vessel": An Opera Epic, from The Drama Review (1972) / _rMeredith Monk.
650		0	_aDance _xHistory _xSources
942			_2ddc _cBK
999			_c3962 _d3962