000			09417cam a2200337 a 4500
001			971835
003			OSt
005			20190729142223.0
008			860404s1986 nyu b 001 0 eng
010			_a85045935
020			_a0394544161 (pbk.)
020			_a9780394544168 (pbk.)
020			_a0394749847 (pbk. : cover)
020			_a9780394749846 (pbk. : cover)
040			_aDLC _beng _cDLC _dDLC _dCStRLIN _dNIC _dCSt _dOrLoB _dUtOrBLW _dAMPA
050	0	0	_aGV1599 _b.D39 1986
082	0	0	_220 _a792.8 _bDEN
100	1		_aDenby, Edwin _d1903-1983 _eauthor
245	1	0	_aDance writings / _cEdwin Denby ; edited by Robert Cornfield and William MacKay.
250			_a1st ed.
260			_aNew York : _bKnopf : _bDistributed by Random House, _c1986.
300			_axi, 608 p. ; _c24 cm.
500			_aIncludes index.
504			_aBibliography: p. [579]-581.
505			_tIntroduction / by Robert Cornfield -- _tEdwin Denby, 1903-1983 / by William MacKay -- _tFrom Modern Music : _tNijinska's Noces -- _tNijinsky's Faun ; Massine's Symphonie Fantastique ; American Ballet Caravan -- _tGraham's Chronicle ; Uday Shankar -- _tBalanchine's American Ballet -- _tBalanchine's Apollon ; American Ballet Caravan -- _tThe World's Fair -- _tMassine and the new Monte Carlo -- _tArgentinita ; Some musicals ; Graham's American Document -- _tModern dancers and human beings -- _tAshton's Devil's Holiday and more Monte Carlo -- _tA note to composers -- _tBalanchine and Stravinsky : Poker Game and Baiser ; The Monte Carlo season -- _tLifar as writer -- _tThe Original Ballet Russe -- _tGraham's El Penitente and Letter to the World ; Balanchine's Balustrade -- _tHanya Holm ; At the circus -- _tKurt Jooss ; The Monte Carlo Ballet -- _tBallet Theatre ; Graham's Punch and the Judy -- _tCarmen Amaya ; Isadora reconsidered ; Dance photographs ; Punch and the Judy revisited -- _tFokine's Russian Soldier ; Tudor's Pillar of Fire ; Balanchine's Elephant Ballet -- _tDe Mille's Rodeo ; Nijinska's Chopin Concerto ; Massine's Aleko -- _tBalanchine and Tchaikovsky : Ballet Imperial ; Carmen Amaya ; Doris Humphrey -- _tMarkova's dance rhythm ; Tudor's Romeo and Juliet -- _tFrom the New York Herald Tribune : _tThe Nutcracker ; Massine's Three-Cornered Hat -- _tDolin's Romantic Age -- _tTudor's Dark Elegies ; Swan Lake -- _tArgentinita -- _tCharles Weidman -- _tAleko ; Karen Conrad -- _tLoring's Billy the Kid -- _tTudor's Romeo and Juliet revisited -- _tDanilova: pleasure in the grand style -- _tBallet at Lewisohn: Les Sylphides and Petrouchka -- _tSwan Lake and Aleko at the Stadium -- _tBallet Theatre and the Monte Carlo -- _tMassine's Capriccio Espagnol ; De Mille's Three Virgins ; Giselle -- _tTudor's Gala Performance -- _tOn commissioning new ballet scores -- _tTudor and pantomime -- _tOn meaning in dance -- _tBallet technique -- _tThe dance in film -- _tBalanchine and de Mille on Broadway -- _tConcert dancers in nightclubs -- _tIce-Capades for war bonds -- _tKatherine Dunham -- _tAbout toe dancing -- _tHow to judge a dancer -- _tMassine's Mademoiselle Angot -- _tTudor's Pillar of Fire ; Dolin's Pas de Quatre -- _tLichine's Fair st Sorochinsk -- _tA correction -- _tBack to the Fair -- _tRegrets about Mademoiselle Angot -- _tTudor's Lilac Garden ; Lichine's Helen of Troy -- _tArgentinita's Pictures of Goya ; Tudor's Judgment of Paris -- _tTudor's Dim Lustre -- _tDim Lustre and Romeo and Juliet -- _tA Ballet Theatre matinee -- _tA Ballet Theatre matinee -- _tThe de Mille Touch -- _tTchaikovsky at Ballet Theatre -- _tBilly the Kid and its dance faults -- _tConcerto Barocco at Needle Trades High School -- _tAlonso's Giselle -- _tSome ballet books -- _tRosella Hightower ; Jerome Robbins -- _tSome faults of Ballet Theatre -- _tArgentinita at Carnegie Hall -- _tAmerican Concert Ballet : three new choreographers -- _tDudley, Maslow, Bates -- _tA recital of dance styles -- _tAnna Sokolow : Carmen Jones ; Baronova -- _tAsadata Dafora -- _tGraham's Deaths and Entrances and Salem Shore -- _tPaul Draper -- _tThe Metropolitan Opera Ballet -- _tSybil Shearer ; Carmen Amaya -- _tDeaths and Entrances revisited -- _tHenie's Ice Revue -- _tSkating as ballet -- _tPearl Primus and Valerie Bettis -- _tHanya Holm's Orestes -- _tWhy not a New York ballet? -- _tSwan Lake in East Indian -- _tThe Rockettes and rhythm -- _tHumphrey's Inquest -- _tA note on dance intelligence -- _tA forum on dance criticism -- _tMerce Cunningham -- _tRosario and Antonio -- _tNijinska's Etude -- _tDe Mille's Tally-ho -- _tBeecham at the ballet -- _tNijinska's Chopin Concerto ; Balanchine's Serenade -- _tSerenade -- _tA Monte Carlo matinee -- _tThe Monte Carlo at City Center -- _tNijinska's Ancient Russia and Snow Maiden -- _tFancy Free -- _tBoris and Moylan in Serenade -- _tFancy Free a second time -- _tPearl Primus -- _tDark Elegies -- _tA tribute to Yousekevitch -- _tJanet Reed : learning to star -- _tMarkova's Giselle : Ballet Theatre's glory -- _tWhere are the new serious ballets? -- _tGraham's intellectual fury -- _tThree Graham solos -- _tGraham's American Document and Primitive Mysteries -- _tMarkova in Les Sylphides -- _tHightower as Swan Queen -- _tA ballet lover's view of Martha Graham -- _tBallet conducting : Beecham and Bernstein -- _tMarianne Moore on Pavlova -- _tThe Monte Carlo minus Franklin -- _tSchéhérazade : a foundering warhorse -- _tBalanchine's Danses Concertantes -- _tThe Monte Carlo's Coppélia -- _tCoppélia tells the facts of life -- _tBalanchine's Bourgeois Gentilhomme -- _tLe Bourgeois transformed -- _tPearl Primus on Broadway -- _tLichine's Graduation Ball ; Toumanova -- _tBallet Theatre back in stride -- _tBalanchine's Waltz Academy -- _tRiabouchinska and Toumanova -- _tToumanova in Giselle -- _tPrincess Aurora and Petipa -- _tToumanova's show -- _tDon Quixote Pas de Deux -- _tCarnaval -- _tA fault in Ballet Theatre's dancing -- _tBallet International -- _tCaton's Sebastian -- _tSemenoff's Memories ; Nijinska's Bolero -- _tNijinska's Pictures at an Exhibition -- _tToumanova and Dolin at Ballet Theatre -- _tBallet International at two weeks -- _tCobos's Mute Wife -- _tAbout Ballet decoration -- _tMeaning in The Nutcracker -- _tDali's Mad Tristan -- _tInternational's farewell -- _tBallet International in retrospect -- _tCunningham solo -- _tIndia, Haiti, Africa -- _tOn the Town ; Sing Out, Sweet Land ; Song of Norway -- _tDudley, Maslow, Bales and Cunningham -- _tDeaths and Entrances -- _tMarie Marchowsky and Jean Erdman -- _tMore Argentinita -- _tBallet Imperial -- _tLe Bourgeois Gentilhomme -- _tDanses Concertantes ; Nijinska's Snow Maiden -- _tPage and Stone's Frankie and Johnny -- _tFrankie and Johnny : an indecent ballet? -- _tBalanchine's Mozartiana -- _tCoppélia : ballet's masterpiece of comedy -- _tBalanchine's Pas de Deux -- _tBalanchine : ballet magician -- _tThe Monte Carlo now -- _tNijinska's Harvest Time -- _tMassine's Moonlight Sonata -- _tMarkova at Ballet Theatre -- _tTudor's Undertow -- _tThe Toumanova problem -- _tBallet Theatre's season -- _tValerie Bettis -- _tAppalachian Spring -- _tGraham's Herodiade -- _tGraham's John Brown -- _tCunningham's Mysterious Adventure -- _tAppalachian Spring and Herodiade a second time -- _tConcerto Barocco : Bach in bathing suits -- _tDanilova and rhythm -- _tDanilova and rhythm -- _tConcerto Barocco -- _tBolender's Comedia Balletica -- _tTo Argentinita -- _tUndertow revisited -- _tMichael Kidd's On Stage -- _tSemenoff's Gift of the Magi -- _tApollo : the power of poetry -- _tAlonso and Eglevsky in Giselle -- _tChagall's Firebird -- _tTaras's Graziana -- _tApollo -- _tUps and downs at Ballet Theatre -- _tRobbins's Interplay -- _tRobbins's Interplay -- _tMarkova's failing -- _tThe American Ballet School at Carnegie Hall -- _tBallet Theatre in decline ... and a farewell -- _tReviews and Appreciations : _tThe Monte Caro distracted -- _tBallet Theatre vs. Hurok : a war of attrition -- _tBallet Theatre wins -- _tWigman after the war -- _tAshton's Cinderella -- _tAn open letter about the Paris Opera Ballet -- _tA letter about Ulanova -- _tA letter about Ulanova and the Royal Danish Ballet -- _tImpressions of Markova at the Met -- _tObituary for Ballet -- _tStars of the Russian Ballet : a film review -- _tRomeo and Juliet : a film review -- _tThe Bolshoi at the Met -- _tA note on Kabuki -- _tThe Royal Ballet in New York -- _tMartha at sixty-eight -- _tPaul Taylor -- _tMerce Cunningham -- _tBalanchine and the New York City Ballet : _tA note on Balanchine's present style -- _tThe Four Temperaments -- _tA letter on New York City's Ballet -- _tA letter on Caracole -- _tSome thoughts about classicism and George Balanchine -- _tOpus 34 -- _tThe Nutcracker -- _tWestern Symphony and Ivesiana -- _tRoma -- _tThree sides of Agon -- _tIn the abstract -- _tLiebeslieder Walzer -- _tElectronics -- _tBalanchine choreographing -- _tA Midsummer Night's Dream -- _tDon Quixote -- _tBalanchine's poetics -- _tEssays : _tNotes on Nijinsky photographs -- _tFlight of the dancer -- _tA technical weakness of our male dancers -- _tBallet : the American position -- _tA briefing in American ballet -- _tAgainst meaning in ballet -- _tDance criticism -- _tSuperficial thoughts on foreign classicism -- _tDancers, buildings, and people in the streets -- _tForms in motion and in thought -- _tAppendix: From the Postscript to Dancers, buildings and people in the streets ; Introduction to Dancers, buildings and people in the streets / by Frank O'Hara.
650		0	_aDance _xReviews.
700	1		_4edt _aCornfield, Robert
700	1		_4edt _aMacKay, William, _d1943-
906			_a7 _bcbc _corignew _d1 _eocip _f19 _gy-gencatlg
942			_2ddc _cBK
999			_c3939 _d3939