000 | 02795cam a22003734a 4500 | ||
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001 | 13260605 | ||
003 | OSt | ||
005 | 20190716132634.0 | ||
008 | 030702s2003 ctua b 000 0 eng | ||
010 | _a 2003015186 | ||
020 | _a0819566136 (cloth : alk. paper) | ||
020 | _a9780819566133 (cloth : alk. paper) | ||
020 | _a0819566144 (paperback : alk. paper) | ||
020 | _a9780819566140 (paperback : alk. paper) | ||
035 | _a(OCoLC-M)53435354 | ||
035 | _a(OCoLC-I)270342550 | ||
040 |
_aDLC _beng _cDLC _dDLC _dAMPA |
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042 | _apcc | ||
050 | 0 | 0 |
_aGV1600 _b.K56 2003 |
082 | 0 | 4 |
_222 _a792.809 _bKIN |
100 | 1 |
_aKing, Kenneth, _d1948- _eauthor |
|
245 | 1 | 0 |
_aWriting in motion : _bbody--language--technology / _cKenneth King ; with a foreword by Deborah Jowitt. |
260 |
_aMiddletown, Conn. : _bWesleyan University Press, _c©2003. |
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300 |
_axxi, 198 p. : _bill. ; _c24 cm. |
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504 | _aIncludes bibliographical references (p. [193]-198). | ||
505 |
_tPART I : _tTransmedia -- _tDigital body/millennial wor(l)d -- _tThrough me many voices -- _tWord raid (impossible tongue twisters for E.E. Cummings) -- _tFrom out of the field of vision (or finally: the Internet) -- _tThe telaxic synapsulator (the future of machine) -- _tPART II : _tStravinsky's Oedipus Rex: Julie Taymor, Seiji Ozawa, Jessye Norman -- _tWriting over history and time: Maurice Blanchot and Jackie O. -- _tDreams and collage -- _tSight and cipher -- _tA pipe of fancy (vision's plenitude): Joseph Cornell, an appreciation -- _tPART III : _tAutobiopathy -- _tThe body reflexive -- _tMetagexis (Joseph's song) -- _tAppeal to the unknown prayer to the great void (mappings for a metatheology). |
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520 | _a"Kenneth King is one of America's most inventive postmodern choreographers. His dancing has always reflected his interested in language and technology, combining movement with film, machines, lighting and worlds - both spoken and written. King is also conversant in philosophy and some of his most influential dance have been dedicated to and in dialogue with the work of such philosophers as Susanne K. Langer, Edmund Husserl and Friedrich Nietzche. Since the 1960s, he has performed his dance to texts intended to stand separately as literary works. Spanning more than 30 years, this book includes essays, performance scripts, art criticism, philosophy and cultural commentary. Dancing, to King, is "writing in space", and writing is a dance of ideas." (source: Nielsen Book Data) | ||
650 | 0 | _aDance criticism. | |
650 | 0 |
_aDance _xPhilosophy. |
|
856 | 4 | 1 |
_3Table of contents _uhttp://www.loc.gov/catdir/toc/ecip046/2003015186.html |
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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942 |
_2ddc _cBK |
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999 |
_c3910 _d3910 |