000			05337cam a22003134a 4500
001			12311522
003			OSt
005			20190624141805.0
008			010215s2001 ctua b 001 0 eng
010			_a 2001023549
020			_a0819564125 (alk. paper)
020			_a0819564133 (pbk. : alk. paper)
040			_aDLC _cDLC _dDLC
042			_apcc
050	0	0	_aGV1601 _b.M86 2001
082	0	4	_221 _a792.809 _bDIL
245	0	0	_aMoving history / dancing cultures : _ba dance history reader / _cedited by Ann Dils & Ann Cooper Albright.
260			_aMiddletown, Conn. : _bWesleyan University Press, _c©2001.
300			_axviii, 492 p. : _bill. ; _c26 cm.
504			_aIncludes bibliographical references and index.
505			_tPART I Thinking about Dance History: Theories and Practices : _tThe pleasures of studying dance history / _rAnn Dils and Ann Cooper Albright -- _tBeyond description: writing beneath the surface / _rDeborah Jowitt -- _tImagining dance / _rJoan Acocella -- _tSearching for Narjinsky's Sacre / _rMillicent Hodson -- _tFive premises for a culturally sensitive approach to dance / _rDeidre Sklar -- _tAn anthropoligist looks at ballet as a form of ethnic dance / _rJoann Kealiinohomokuu -- _tThe trouble with the male dancer... / _rRamsay Burt -- _tStrategic abilities: negotiating the disabled body in dance / _rAnn Cooper Albright -- _tDancing in the field: notes from memory / _rSally Ann Ness -- _tPART II World Dance Traditions / _tLooking at world dance / _rAnn Dils and Ann Cooper Albright -- _tTrance and ecstatic dance / _rErika Bourginon -- _tBharatha natyam-- what are you? / _rAvanthi Meduri -- _tMedicine of the brave: a look at the changing role of dance in native culture from the buffalo days to the modern powwow / _rLisa Doolittle and Heather Elton -- _tThe belly dance : ancient ritual to cabaret performance / _rShawna Helland -- _tChanging images and shifting identities: female performers in Egypt / _rKarin van Kieuwkerk -- _tCommonalities in African dance: an aesthetic foundation / _rKariamu Welsh Asante -- _tInvention and reinvention in the traditional arts / _rZ. S. Strother -- _tHeadspin: Capoeira's ironic inversions / _rBarbara Browning -- _tEpitome of Korean folk dance / _rLee Kyong-hee -- _tThe many faces of Korean dance / _rJudy Van Zile -- _tWriting dancing / _rMark Franko -- _tBeyond la danse noble: conventions in choreography and dance performance at the time of Rameau's Hippolyte et Aricie / _rCatherine Turocy -- _tThe travesty dancer in nineteenth-century ballet / _rLynn Garafola -- _tInterrupted continuities: modern dance in Germany / _rSusan Allene Manning and Melissa Benson -- _tPART III America Dancing _tHistorical moments: rethinking the past / _rAnn Dils and Ann Cooper Albright -- _tThe irresistible other: Hopi ritual drama and Euro-American audiences / _rSharyn R. Udall -- _tJuba and American minstrelsy / _rMarian Hannah Winter -- _tDancing out the difference: cultural imperialism and Ruth St. Denis's Radha of 1906 / _rJane Desmond -- _tTwo-stepping to glory : social dance and the rhetoric of social mobility / _rJulie Malnig -- _tThe natural body / _rAnn Daly -- _tForm as the image of human perfectibility and natural order / _rDeborah Jowitt -- _tThe harsh and splendid heroines of Martha Graham / _rMarcia B. Siegel -- _tThe dance is a weapon / _rEllen Graff -- _tIn his image: Diaghilev and Lincoln Kirstein / _rNancy Reynolds -- _tStripping the emperor: the Africanist presence in American concert dance / _rBrenda Dixon Gottschild -- _tSimmering passivity: the black male body in concert dance / _rThomas DeFrantz -- _tChoreographic methods of the Judson dance theater / _rSally Banes -- _tChance heroes / _rDeborah Jowitt -- _tPART IV Contemporary Dance: Global Contexts : _tMoving contexts / _rAnn Dils and Ann Cooper Albright -- _tButoh: "twenty years ago we were crazy, dirty, and mad" / _rBonnie Sue Stein -- _tDancing on the endangered list: aesthetics and politics of indigenous dance in the Philippines / _rKathleen Foreman -- _tChandralekha: negotiating the female body and movement in cultural/political signification / _rAnanya Chatterjea -- _tAnanya and Chandralekha - a response to "Chandralekha: negotiating the female body and movement in cultural/political signification" / _rUttara Coorlawala -- _tLooking at movement as culture: contact improvisation to disco / _rCynthia Jean Cohen Bull -- _t10,000 jams later: contact improvisation in Canada 1974-95 / _rPeter Ryan -- _tImprovisation is a word for something that can't keep a name / _rSteve Paxton -- _tSimply(?) the doing of it, like two arms going round and round / _rSusan Leigh Foster -- _tEmbodying history: epic narrative and cultural identity in African American dance / _rAnn Cooper Albright -- _tA little technology is a dangerous thing / _rRichard Povall -- _tTechnique/technology/technique / _rLisa Marie Naugle -- _tAbsent/presence / Ann Dils. _rAnn Dils.
520			_a"This collection of essays surveys the history of dance in an innovative and wide-ranging fashion."--cover.
650		0	_aDance _xHistory.
700	1		_4edt _aDils, Ann
700	1		_4edt _aAlbright, Ann Cooper
906			_a7 _bcbc _corignew _d1 _eocip _f20 _gy-gencatlg
942			_2ddc _cBK
999			_c3827 _d3827