000			02215cam a22003614a 4500
001			12832627
003			OSt
005			20190613142330.0
008			020626s2002 ctua b 001 0 eng
010			_a2002010172
020			_a0819565652 (cloth : alk. paper)
020			_a9780819565655 (cloth : alk. paper)
020			_a0819565660 (pbk. : alk. paper)
020			_a9780819565662 (pbk. : alk. paper)
035			_a(OCoLC-M)50090046
035			_a(OCoLC-I)270274578
040			_aDLC _beng _cDLC _dDLC _dAMPA
042			_apcc
050	0	0	_aGV1783 _b.D35 2002
082	0	0	_221 _a792.8015 _bDAL
100	1		_aDaly, Ann, _d1959- _eauthor
245	1	0	_aCritical gestures : _bwritings on dance and culture / _cAnn Daly.
260			_aMiddletown, Conn. : _bWesleyan University Press, _c2002.
300			_axlii, 378 p. : _bill. ; _c24 cm.
504			_aIncludes bibliographical references (p. 340-364) and index.
520			_a"Ann Daly ranks among the most insightful, articulate dance critics and scholars writing today. Spanning the divide between journalism and scholarship, this collection offers a double-sighted view of dance in America from 1986 to the present, documenting the shift in experimental dance from formal to social concerns, and recording the expansion of dance studies in the academy from historical documentation to cultural criticism. Daly examines performance art and visual art as they relate to and influence dance, with a look at the intersection of dance and history. Gender is the subject of the final section of the book. More than 80 reviews, features, essays, interviews and scholarly articles -- including extended considerations of Pina Bausch, Deborah Hay, Bill T. Jones and Ralph Lemon -- were originally published in venues ranging from High Performance to The New York Times to TDR: A Journal of Performance Studies."-- Publisher's description.
650		0	_aModern dance _xSocial aspects.
650		0	_aFeminism and dance.
650		0	_aDance criticism.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK
999			_c3795 _d3795