000			03417cam a2200349 a 4500
001			1105589
003			OSt
005			20190607093225.0
008			930423s1994 ctua b 001 0 eng
010			_a93008225
020			_a0819552666 (alk. paper)
020			_a9780819552662 (alk. paper)
020			_a0819562688 (pbk. : alk. paper)
020			_a9780819562685 (pbk. : alk. paper)
035			_a(OCoLC-M)28065035
035			_a(OCoLC-I)274589448
040			_aDLC _beng _cDLC _dCSt _dOrLoB _dAMPA
043			_an-us---
050	0	0	_aGV1623 _b.B36 1994
082	0	0	_220 _a792.80973 _bBAN
100	1		_aBanes, Sally _d1949- _eauthor
245	1	0	_aWriting dancing in the age of postmodernism / _cSally Banes.
260			_a[Middletown, Conn.] : _bWesleyan University Press ; _aHanover : _bUniversity Press of New England, _c©1994.
300			_axv, 412 p. : _bill. ; _c24 cm.
504			_aIncludes bibliographical references (p. 353-385) and index.
505			_tI. Writing criticism/history : _r1. Jill Johnston: Signaling through the flames ; 2. Working and dancing: a response to Monroe Beardsley's "What is going on in a dance?" (with Noël Carroll) ; 3. Criticism as ethnography ; 4. On your fingertips: writing dance criticism ; 5. Power and the dancing body -- _tII. The Euro-American Avant-Garde : _r6. Balanchine and black dance ; 7. An introduction to the Ballets Suédois ; 8. Soirée de Paris ; 9. Kasyan Goleizovsky's ballet manifestos ; 10. Merce Cunningham's 'Story' ; 11. Cunningham and Duchamp (with Noël Carroll) -- _tIII. The African-American connection : _r12. To the beat, y'all: breaking is hard to do ; 13. Breakdancing: a reporter's story ; 14. Lock steady ; 15. Critic's choice: breakdancing ; 16. Breaking ; 17. A house is not a home ; 18. Breaking changing ; 19. The pleasin' in teasin' ; 20. The Moscow Charleston: black jazz dancers in the Soviet Union -- _tIV. Other subversions: politics and popular dance : _r21. Stepping high: Fred Astaire's drunk dances ; 22. The men at John Allen's dance house ; 23. Red shoes: the Workers' Dance league of the 1930s. -- _tV. Postmodern dance: from the sixties to the nineties : _r24. Judson rides again! ; 25. Choreographic methods of the Judson Dance Theater ; 26. Vital signs: Steve Paxton's Flat in perspective ; 27. Meredith Monk and the making of Chacon: notes from a journal ; 28. Dancing on the edge ; 29. "Drive," she said: the dance of Molissa Fenley ; 30. Self-rising choreography ; 31. Transparent living ;32. No more ordinary bodies ; 33. Happily ever after? The postmodern fairytale and the new dance ; 34. Pointe of departure ; 35. Classical brinksmanship: Karole Armitage and Michael Clark ; 36. Terpsichore in sneakers, high heels, jazz shoes, and on pointe: postmodern dance revisited ; 37. Dancing [with/to/before/on/in/over/after/against/away from/without] the music: vicissitudes of collaboration in American postmodern choreography ; 38. La onda próxima: nueva Latina dance ; 39. Dance and spectacle in the United States in the eighties and nineties (with Noël Carroll) ; 40. Dancing in leaner times ; 41. Going solo.
650		0	_aBallet _zUnited States _xHistory _y20th century.
650		0	_aDance _zUnited States _xHistory _y20th century.
906			_a7 _bcbc _corignew _d1 _eocip _f19 _gy-gencatlg
942			_2ddc _cBK
999			_c3782 _d3782