000 | 03281cam a22003374a 4500 | ||
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001 | 13225774 | ||
003 | OSt | ||
005 | 20190415120244.0 | ||
008 | 030605s2003 ctua b 001 0 eng | ||
010 | _a2003012767 | ||
020 | _a0819566470 (cloth : alk. paper) | ||
020 | _a0819566489 (pbk. : alk. paper) | ||
020 | _a9780819566485 (pbk. : alk. paper) | ||
035 | _a(OCoLC) 52412060 | ||
040 |
_aDLC _cDLC _dDLC |
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042 | _apcc | ||
050 | 0 | 0 |
_aGV1781.2 _b.T35 2003 |
082 | 0 | 4 |
_221 _a792.8028 _bALB |
245 | 0 | 0 |
_aTaken by surprise : _ba dance improvisation reader / _cedited by Ann Cooper Albright and David Gere. |
260 |
_aMiddletown, Conn. : _bWesleyan University Press, _c©2003. |
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300 |
_axxi, 279 p. : _bill. ; _c26 cm. |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 |
_tINTRODUCTION / _rDavid Gere -- _tIMPROVISING BODY, IMPROVISING MIND : _tTaken by surprise (Improvisation in dance and mind) / _rSusan Leigh Foster -- _tExposed to gravity / _rBruce Curtis -- _tDance (A body with a mind of its own) / _rRuth Zaporah -- _t The cutting edge of awareness (Reports from the inside of improvisation) / _rKent De Spain -- _tA DUET WITH POSTMODERN DANCE : _tAnna Halprin and improvisation as child's play (A search for informed innocence) / _rJanice Ross -- _tAnimate dancing (A practice in dance improvisation) / _rSimone Forti -- _tLearning to speak (An apprenticeship with Simone Forti in logomotion) / _rCarmela Hermann -- _tSpontaneous combustion (Notes on dance improvisation from the sixties to the nineties) / _rSally Banes -- _tEXPANDING THE CANON : _tStepping, stealing, sharing, and daring (Improvisation and the tap dance challenge) / _rConstance Valis Hill -- _tThe writing on the wall (Reading improvisation in flamenco and postmodern dance) / _rMichelle Heffner Hayes -- _tImprovisation as participating performance (Egungun masked dancers in the Yoruba tradition) / _rMargaret Thompson Drewal -- _tAgainst improvisation (A postmodernist makes the case for choreography) / _rVictoria Marks -- _tMultiple pleasures (Improvisation in Bharatanatyam) / _r Avanthi Meduri -- _tRECONSIDERING CONTACT IMPROVISATION : _tA subjective history of contact improvisation / _rNancy Stark Smith -- _tDrafting interior techniques / _rSteve Paxton -- _tEmbodied meanings in performing, interpreting, and talking about dance improvisation / _rRaymond W. Gibbs, Jr. -- _tWeighting metaphors (A response to Raymond W. Gibbs and "Hilary") / _rKaren Schaffman -- _tPresent tense (Contact improvisation at twenty-five) / _rAnn Cooper Albright -- _tIMPROVIASTION IN EVERYDAY LIFE : _tSome traveler's tales / _rRachel Kaplan -- _tWhat's the score? (Structured improvisation as national pastime) / _rMaura Keefe -- _tFor the taste of an apple (Why I practice Zen) / _rEllen Webb -- _tLife scores / _rNancy Stark Smith -- _tEPILOGUE : _tDwelling in possibility / _rAnn Cooper Albright. |
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650 | 0 | _aImprovisation in dance. | |
700 | 1 |
_4edt _aAlbright, Ann Cooper _d1959- |
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700 | 1 |
_4edt _aGere, David |
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856 | 4 | 1 |
_3Table of contents _uhttp://www.loc.gov/catdir/toc/ecip045/2003012767.html |
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