000 | 03820nam a22003377a 4500 | ||
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003 | OSt | ||
005 | 20190410133139.0 | ||
008 | 190409b xxu||||| |||| 00| 0 eng d | ||
020 | _a0415485983 (hbk) | ||
020 | _a0415485991 (pbk) | ||
020 | _a0203860985 (ebk) | ||
020 | _a9780415485982 (hbk) | ||
020 | _a9780415485999 (pbk) | ||
020 | _a9780203860984 (ebk) | ||
035 | _a(OCoLC)824602622 | ||
040 |
_beng _cAMPA |
||
082 | 0 | 4 |
_220 _a792.801 _bCAR |
245 | 0 | 4 |
_aThe Routledge dance studies reader / _cedited by Alexandra Carter and Janet O'Shea. |
250 | _a2nd edition | ||
260 |
_aLondon ; _aNew York : _bRoutledge, _c2010. |
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300 |
_axvii, 405 p. ; _c24 cm. |
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504 | _aBibliography 364-389. | ||
505 |
_t1. Roots/routes of dance studies / _rJanet O'Shea -- _tPART I Making dance : _t2. Choreographers: dancing for de Valois and Ashton / _rAnnabel Farjeon -- _t3. Torse: there are no fixed points in space / _rMerce Cunningham with Jacqueline Lesschaeve -- _t4.Recovering Hurston, reconsidering the choreographer / _rAnthea Kraut -- _t5. Reworking the ballet: stillness and queerness in Swan Lake, 4 Acts / _rVida Midgelow -- _t6. Making space, speaking spaces / _rCarol Brown -- _t7. Reflections on new directions in Indian dance / _rChandralekha -- _t8. What's it worth to ya? Adaption and anachronism: Rennie Harris's PureMovement and Shakeapeare / _rAnna B. Scott -- _tPART II Performing dance : _t9. I am a dancer / _rMartha Graham -- _t10. Tracing the past: writing history through the body / _rAnn Cooper Albright -- _t11. Cabbages and kings: disability, dance and some timely considerations / _rAdam Benjamin -- _t12. Hips, hip-notism, hip(g)nosis: the mulata performances of NinĂ³n Sevilla / _rMelissa Blanco Borelli -- _t13. Still curious / _rEmilyn Claid -- _tPART III Ways of looking : _t14. Dance and gender: formalism and semiotics reconsidered / _rStephanie Jordan and Helen Thomas -- _t15. A tapestry of intertexts: dance analysis for the twenty-first century / _rJanet Lansdale -- _t16. Looking at movement as culture: contact improvisation to disco / _rCynthia J. Novack -- _t17. Getting off the Orient Express / _rShobana Jeyasingh -- _t18. Bridging the critical distance / _rMarcia B. Siegel -- _t19. Two analyses of 'Dancing in the Dark' (The Band Wagon, 1953) / _rRichard Dyer and John Mueller -- _tPART IV Locating dance in history and society : _t20. In pursuit of the sylph: ballet in the Romantic period / _rDeborah Jowitt -- _t21. Nijinsky: modernism and heterodox representations of masculinity / _rRamsay Burt -- _t22. Women writing the body: let's watch a little how she dances / _rElizabeth Dempster -- _t23. Gambling femininity: tango wallflowers and femmes fatales / _rMarta E. Savigliano -- _t24. Choreographing a flexible Taiwan: Cloud Gate Dance Theatre and Taiwan's changing identity / _rLatin Lin -- _t25. Reality check: 'Dancing with the stars' and the American dream / _rJuliet McMains -- _t26. From interculturalism to historicism: reflections on classical Indian dance / _rPallabi Chakravorty -- _tPART V Debating the discipline : _t27. Choreographing history / _rSusan Leigh Foster -- _t28. Differentiatiin phenomenology and dance / _rPhilipp Rothfield -- _t29. Dance studies in the international academy: genealogy of a disciplinary formation / _rJens Richard Giersdorf -- _t30. Shifting perspectives on dance ethnography / _rTheresa Jill Buckland -- _t31. Slamdancing with the boundaries of theory and practice: the legitimisation of popular dance / _rSherril Dodds -- _t32. What is art? / _rBetty Redfern. |
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520 | _a"Represents the range and diversity of writings on dance from the 1980s and 1990s"--Page 4 of cover. | ||
650 | 0 | _aDance | |
650 | 0 | _aModern dance | |
650 | 0 |
_aDance _vPhilosophy |
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700 | 1 |
_4edt _aCarter, Alexandra Joan _d1947- |
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700 | 1 |
_4edt _aO'Shea, Janet |
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942 |
_2ddc _cBK |
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999 |
_c3643 _d3643 |