May O'Donnell : modern dance pioneer / Marian Horosko ; foreword by Jennifer Dunning.

By: Material type: TextTextPublication details: Gainsville : University Press of Florida, ©2005.Description: xi, 136 p. : ill. ; 23 cmISBN:
  • 0813028574 (alk. paper)
  • 9780813028576
Subject(s): DDC classification:
  • 22 792.8092 ODO
LOC classification:
  • GV1785.O42 H67 2005
Online resources:
Contents:
1. January 2002 -- 2. California, 1920s, early lessons -- 3. Study in New York, 1930s -- 4. Louis Horst and early days at Bennington -- 5. Success in the Graham Company -- 6. Fateful Paris/London Graham season -- 7. Beginning a choreographic career -- 8. Returning to the Graham Company -- 9. The 1950s -- 10. The 1960s and London -- 11. The 1970s -- 12. The 1980s and recognition -- 13. O'Donnell describes her technique -- 14. O'Donnell's intermediate class -- 15. Technique for sit-down dancers -- 16. Lifetime Achievement Award.
Summary: "May O'Donnell (1906-2004) was one of the Martha Graham Contemporary Dance Company's most successful soloists during its pioneer days. Because of her strong presence and equally strong technique, Graham entrusted O'Donnell to create her own roles in such notable Graham works as Appalachian Spring and Herodiade. As a choreographer, O'Donnell was the first American to create dances of musical abstraction (before this word was used in the world of dance), freeing the modern dancer from themes, storylines, and dramatic passion. She was also a sought-after teacher, and her famous students include Robert Joffrey, Ben Vereen, Gerald Arpino, Dudley Williams, and many others. Today, more than fifty of her documented works are performed and her technique is taught throughout Europe and the United States." "Based on extensive interviews with O'Donnell herself, Marian Horosko brings the story of this extraordinary yet unheralded sixty-year career to light for the first time. O'Donnell's personal memories - from her early training in California, to tours with Jose Limon, to the creation of her signature work, Suspension, to her collaborations with composer-husband Ray Green - and unpublished photographs from her personal archives provide a first-hand account of American modern dance coming into its own during the crucial period of the 1920s through the 1980s. Horosko has also included the first available intermediate-class syllabus of O'Donnell's technique."--Jacket.
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Item type Current library Collection Call number Status Date due Barcode
Books Books Academy of Music & Performing Arts Library General Stacks Non-fiction 792.8092 ODO (Browse shelf(Opens below)) Available A04314

1. January 2002 -- 2. California, 1920s, early lessons -- 3. Study in New York, 1930s -- 4. Louis Horst and early days at Bennington -- 5. Success in the Graham Company -- 6. Fateful Paris/London Graham season -- 7. Beginning a choreographic career -- 8. Returning to the Graham Company -- 9. The 1950s -- 10. The 1960s and London -- 11. The 1970s -- 12. The 1980s and recognition -- 13. O'Donnell describes her technique -- 14. O'Donnell's intermediate class -- 15. Technique for sit-down dancers -- 16. Lifetime Achievement Award.

"May O'Donnell (1906-2004) was one of the Martha Graham Contemporary Dance Company's most successful soloists during its pioneer days. Because of her strong presence and equally strong technique, Graham entrusted O'Donnell to create her own roles in such notable Graham works as Appalachian Spring and Herodiade. As a choreographer, O'Donnell was the first American to create dances of musical abstraction (before this word was used in the world of dance), freeing the modern dancer from themes, storylines, and dramatic passion. She was also a sought-after teacher, and her famous students include Robert Joffrey, Ben Vereen, Gerald Arpino, Dudley Williams, and many others. Today, more than fifty of her documented works are performed and her technique is taught throughout Europe and the United States." "Based on extensive interviews with O'Donnell herself, Marian Horosko brings the story of this extraordinary yet unheralded sixty-year career to light for the first time. O'Donnell's personal memories - from her early training in California, to tours with Jose Limon, to the creation of her signature work, Suspension, to her collaborations with composer-husband Ray Green - and unpublished photographs from her personal archives provide a first-hand account of American modern dance coming into its own during the crucial period of the 1920s through the 1980s. Horosko has also included the first available intermediate-class syllabus of O'Donnell's technique."--Jacket.

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