TY  - MUSIC
AU  - Kamien,Roger
AU  - Bach,Johann Sebastian
AU  - Bartók,Béla
AU  - Beethoven,Ludwig van
AU  - Berlioz,Hector
AU  - Binchois,Gilles
AU  - Bizet,Georges
AU  - Brahms,Johannes
AU  - Byrd,William
AU  - Chopin,Frédéric
AU  - Copland,Aaron
AU  - Corelli,Arcangelo
AU  - Debussy,Claude
AU  - Desprez,Josquin
AU  - Dowland,John
AU  - Dufay,Guillaume
AU  - Gesualdo,Carlo
AU  - Gibbons,Orlando
AU  - Gluck,Christoph Willibald
AU  - Handel,George Frideric
AU  - Haydn,Franz Joseph
AU  - Ives,Charles
AU  - Liszt,Franz
AU  - Machaut,Guillaume de
AU  - Mahler,Gustav
AU  - Marenzio,Luca
AU  - Mendelssohn,Felix
AU  - Monteverdi,Claudio
AU  - Morley,Thomas
AU  - Mozart,Wolfgang Amadeus
AU  - Mussorgsky,Modest
AU  - Palestrina,Giovanni Pierluigi da
AU  - Puccini,Giacomo
AU  - Purcell,Henry
AU  - Scarlatti,Domenico
AU  - Schoenberg,Arnold
AU  - Schubert,Franz Peter
AU  - Schumann,Robert
AU  - Schütz,Heinrich
AU  - Stravinsky,Igor
AU  - Tchaikovsky,Pyotr Ilyich
AU  - Verdi,Giuseppe
AU  - Vivaldi,Antonio
AU  - Wagner,Richard
AU  - Webern,Anton
AU  - Wolf,Hugo
TI  - The Norton scores : : an anthology for listening / 
SN  - 0393099091 (pbk.) 
AV  - MT6.K22  N7 1970 
U1  - 780.265 20
PY  - 1970///.
CY  - New York : 
PB  - Norton, 
KW  - Music appreciation
N1  - "Expanded edition in two volumes."; Includes index; VOLUME I: Machaut to Beethoven --; 1. Agnus Dei I from the Mass; Guillaume de Machaut --; 2. Kyrie I from the Mass Se la face ay pale; Guillaume Dufay --; 3. Adieu m'armour et ma maistresse; Gilles Binchois --; 4. Ave Maria; Josquin des Prés --; 5. Kyrie from the Pope Marcellus Mass; Giovanni Pierluigi da Palestrina --; 6. Tristis est anima mea; Orlandus Lassus --; 7. Ego sum panis vivus; William Byrd --; 8. S'io parto, ỉ moro; Luca Marenzio --; 9. Sing We and Chant It; Thomas Morley --; 10. Moro lasso; Carlo Gesualdo --; 11. My Thoughts Are Wing'd With Hope; John Dowland --; 12. Tu se' morta from L'Orfeo; Claudio Monteverdi --; 13. Zefiro torna; Monteverdi --; 14. The Silver Swan; Orlando Gibbons --; 15. Saul, Saul; Heinrich Schütz --; 16. Sonata da chiesa, Opus 3, No. 7; Arcangelo Corelli --; 17. Dido's lament from Dido and Aeneas; Henry Purcell --; 18. Concerto Grosso in D minor, Opus 3, No. 11; Antonio Vivaldi --; 19. Piangerò from Giulio Cesare; George Frideric Handel --; 20. Excerpts from the Messiah (No. 1 Overture ; No. 2 Comfort Ye ; No. 3 Ev'ry valley ; No. 12 For unto us a Child is born ; No. 23 He was despised ; No. 44 Hallelujah); Handel --; 21. Organ Fugue in G minor ("Little"); Johann Sebastian Bach --; 22. Organ Passacaglia and Fugue in C minor; Bach --; 23. Brandenburg Concerto No. 2 in F major; Bach --; 24. Prelude and Fugue in C minor from The Well-Tempered Clavier, Book I; Bach --; 25. Air and Gigue from Suite No. 3 in D major; Bach --; 26. Cantata No. 140, Wachet auf; Bach --; 27. Crucifixus from Mass in B minor; Bach --; 28. Sonata in C minor; Domenico Scarlatti --; 29. Scenes from Orphée et Erudice (Nos. 18-27 Act II, Scene I ; No. 43, J'ai perdu mon Euridice); Christoph Willibald Gluck --; 30. Second and fourth movements from Symphony No. 94 in G major ("Surprise"); Franz Joseph Haydn --; 31. String Quartet in C major, Opus 76, No. 3; Hand --; 32. Piano Concerto in C major, K. 467; Wolfgang Amadeus Mozart --; 33. Eine kleine Nachtmusik; Mozart --; 34. Three excerpts from Don Giovanni (No. 1 Introduction ; No. 4 Catalogue Aria ; No. 7 Duet: Là ci dare la mano); Mozart --; 35. Symphony in G minor, K. 550; Mozart --; 36. Piano Sonata in C minor, Opus 13 ("Pathétique"); Ludwig van Beethoven --; 37. First movement from String Quartet in F major, Opus 18, No. 1); Beethoven --; 38. Symphony No. 5 in C minor; Beethoven --; Appendix A: Reading an Orchestral Score --; Appendix B: Instrument Names and Abbreviations --; Appendix C: Glossary of Musical terms Used in the Scores --; Index of Forms and Genres --; VOLUME II: Schubert to Copland --; 1. Heidenröslein; Franz Peter Schubert --; 2. Erlkönig; Schubert --; 3. Fourth movement (Theme and Variations) from Quintet in A major ("Trout"); Schubert --; 4. Fifth movement from Symphonie fantastique; Hector Berlioz --; 5. First movement from Violin Concerto in E minor; Felix Mendelssohn --; 6. Mazurka in B-flat major, Opus 7, No. 1; Frédéric Chopin --; 7. Etude in E major, Opus 10, No. 3; Chopin --; 8. Prelude in E minor, Opus 28, No. 4; Chopin --; 9. Die beiden Grenadiere; Robert Schumann --; 10. First movement from Piano Concerto in A minor; Schumann --; 11. Sonetto 104 del Petrarca; Franz Liszt --; 12. Duet from Die Walküre; Richard Wagner --; 13. Prelude to Tristan und Isolde; Wagner --; 14. Violetta's scene from La Traviata, Act I; Giuseppe Verdi --; 15. Scene from Aïda, Act III; Verdi --; 16. Die Mainacht; Johannes Brahms --; 17. Third movement from Symphony No. 3 in F major; Brahms --; 18. Final scene from Carmen, Act Iv; Georges Bizet --; 19. Field Marshal Death; Modest Mussorgsky --; 20. Romeo and Juliet, Overture-Fantasy; Peter Ilyich Tchaikovsky --; 21. Excerpts from The Nutcracker (March ; Arabian Dance ; Dance of the Reed Pipes ); Tchaikovsky --; 22. Scene from La Bohème, Act I; Giacomo Puccini --; 23. In dem Schatten meiner Locken; Hugo Wolf --; 24. Fourth  movement from Symphony No. 4; Gustav Mahler--; 25. Prelude to The Afternoon of a Faun; Claude Debussy --; 26. Vergangenes from Five Pieces for Orchestra, Opus 16; Arnold Schoenberg --; 27. First movement for Piano Concerto, Opus 42;  Schoenberg --; 28. General William Booth Enters Into Heaven; Charles Ives --; 29. First movement from Music for Strings, Percussion and Celesta; Béla Bartók --; 30. First movement from Concerto for Orchestra; Bartók --; 31. Opening scene from Petrushka; Igor Stravinsky --; 32. Opening scene from The Wire of Spring; Stravinsky --; 33. Soldier's March from L'Histoire du soldat; Stravinsky --; 34. First movement from Symphony of Psalms; Stravinsky --; 35. Pieces for Orchestra, Opus 10, Nos. 3 and 4; Anton Webern --; 36. Opening scene from Billy the Kid; Aaron Copland --; Appendix A: Reading an Orchestral Score --; Appendix B: Instrument Names and Abbreviations --; Appendix C: Glossary of Musical terms Used in the Scores --; Index of Forms and Genres
N2  - "The Norton Scores is an anthology of music designed for the listener, and the selection of music in this extended two-volume edition ranges from the fourteenth century to the twentieth, including complete works and excerpts that illustrate the major forms, genres, and composers. 
The use of a unique highlighting system greatly facilitates the following full orchestral scores for the novice score-reader, without obscuring any of the important subordinate lines and accompaniments. Rather than presenting "pre-digested" scores, The Norton Scores provides valuable experience in following the "real thing". -- Book Cover
ER  -