TY - MUSIC AU - Corder,Frederick AU - Arne,Thomas Augustine AU - Bach,Johann Sebastian AU - Beethoven,Ludwig van AU - Bellini,Vincenzo AU - Berlioz,Hector AU - Cowen,Sir Frederic Hymen AU - Donizetti,Gaetano AU - Galliard,Johann Ernst AU - Gluck,Christoph Willibald (Ritter von) AU - Goring Thomas,Arthur AU - Gounod,Charles AU - Handel,George Frideric AU - Kreutzer,Conradin AU - Lully,Jean Baptiste AU - Macfarren,Sir George Alexande AU - Mackenzie,Sir Alexander Campbell AU - Mendelssohn-Bartholdy,Felix AU - Monteverde,Claudio AU - Mozart,Wolfgang Amadeus AU - Parry,Sir Charles Hubert Hastings AU - Pepusch,Johann Christoph AU - Peri,Jacapo AU - Purcell,Henry AU - Rossini,Gioachino AU - Scarlatti,Alessandro AU - Schumann,Robert AU - Spohr,Louis AU - Sullivan,Sir Arthur Seymour AU - Verdi,Giuseppe AU - Wagner,Richard AU - Weber,Carl Maria von TI - Vocal recitative: historically and practically described, with 54 examples AV - MT892 .V6 U1 - M 782.1 20 PY - 0000///[n.d.] CY - London : PB - Associated Board of the Royal Schools of Music, KW - Singing KW - Interpretation (Phrasing, dynamics, etc.) KW - Operas KW - Excerpts KW - Oratorios KW - Cantatas N1 - Chiefly from English, French, German, and Italian operas, oratorios, and cantatas; keyboard acc; 1. Nel pur' ardor from 'Euridice'; Peri --; 2. Nor sun nor all bright stars from 'Orfeo'; Monteverde --; 3. A hideous dream makes all my senses reel from Armide; Lully --; 4. Why, why hast thou robb'd me of my rest? from 'Saul and the Witch of Endor; Purcell --; 5. Thy hand, Belinda from 'Dido's Lament'; Purcell --; 6. Blow, blow, Boreas blow from 'The Tempest'; Purcell --; 7. Ma di che mi luisngo oh dio from 'Orfeo'; Scarlatti --; 8. Whil Corydon, the lonely shepherd from 'Corydon'; Pepusch --; 9. Aye, be it so! from 'Alexander Balus'; Handel --; 10. The hope was mine from 'Otho'; Handel --; 11. Otho arrived! from 'Otho'; Handel --; 12. Ye verdant plains and woody mountains from 'Acis and Galatea'; Handel --; 13. The rosy morn with golden tresses from 'The Early Horn'; Galliard --; 14. O take thou, world, all my possessing from 'When will God recall my spirit?'; Bach --; 15. How can I hope, O Lord from 'Give the starving poor thy bread'; Bach --; 16. My heart is filled with anguish from 'Blessed Lord, when shall I perish?'; Bach --; 17. And His disciples worshipped Him from 'Praise the Lord'; Bach --; 18. A heathen darkness is spreading from 'Bide with us!'; Bach --; 19. From yonder sun-paved fields above from 'Britannia'; Arne --; 20. How gentle was my Damon's air! from 'Comus'; Arne --; 21 . What tidings! from 'Orpheus'; Gluck --; 22. Roland! Heav'n! from 'Armida'; Gluck --; 23. O how late is Susanne from 'Le Nozze d Figaro'; Mozart --; 24. Prince Charming from 'Cinderella'; Rossini --; 25. Ocean, thou mighty monster from 'Oberon'; Weber --; 26. No more friends these sounds alarming from 'Choral Symphony'; Beethoven --; 27. Here for your judgement from 'Norma'; Bellini --; 28. But as for thee, my faithful, charming maiden from 'Das Nachtlager von Granada'; Kreutzer --; 29. Ah! I was too late! from 'Linda di Chamounix'; Donizetti --; 30. Hast thou for me a look, a thought? from 'Calvary'; Spohr --; 31. To the dust my spirit sinks in deep abasement from 'Calvary'; Spohr --; 32. And his companions from 'St. Paul'; Mendelssohn --; 33. Then tell me, ye terrible rulers from 'Loreley'; Mendelssohn --; 34. Her first fond hope of Eden lost from 'Paradise and the Peri'; Schumann --; 35. Here is the terrible spot from 'Un ballo in Maschera'; Verdi --; 36. There he lies, murdered and cold from 'Rigoletto'; Verdi --; 37. Bride and bridegroom; that's the toast from 'The Soldier's Legacy'; Macfarren --; 38. Renounce my love from 'Mirella'; Gounod --; 39. The Greeks all disappeared 'The Fall of Troy'; Berlioz --; 40. I crave thy hospitality awhile from 'The Flying Dutchman'; Wagner --; 41. Ha! discontented! from 'Tannhäuser'; Wagner --; 42. Away Elsa! from 'Lohengrin'; Wagner --; 43. Then he whom I conjured spake thus from 'Tannhäuser'; Wagner --; 44. The tribe of Hunding held in the hall from 'The Valkyrie'; Wagner --; 45. When youthful love's illusions had fled from 'The Valkyrie'; Wagner --; 46. Fear ye her doom? from 'The Valkyrie'; Wagner --; 47. Seems it so senseless what I say? from Tristan and Isolde'; Wagner --; 48. Hey! Siegfried may handle the Nibelung's hoard from 'Siegfried'; Wagner --; 49. Woo thou thy snowflake till she melt for thee! from 'Ivanhoe'; Sullivan --; 50. O awful depth, below the castle wall from 'Ivanhoe'; Sullivan --; 51. Orso, read aloud and proclaim from 'Columba'; Mackenzie --; 52. Then get you gone! from 'Nadeshda'; Thomas (Goring); 53. Am I maid, and must I die? from 'The Sleeping Beauty'; Cowen --; 54. Jerusalem was loved of the Lord from 'Judith'; Parry ER -