TY  - BOOK
AU  - Goellner,Ellen W.
AU  - Shea Murphy,Jacqueline
TI  - Bodies of the text: dance as theory, literature as dance 
SN  - 0813521262 (cloth)
AV  - GV1600 .B63 1995
U1  - 792.809 20
PY  - 1995///
CY  - New Brunswick, N.J.
PB  - Rutgers University Press
KW  - Dance criticism
KW  - Dance
KW  - Philosophy
KW  - Criticism
KW  - Dance in literature
N1  - Includes bibliographical references and index; Introduction: Movement Movements; Ellen W. Goellner and Jacqueline Shea Murphy --; Reading Dance as Text; Women writing the body: let's watch a little how she dances; Elizabeth Dempster --; Samba: the body articulate; Barbara Browning --; Flaming closets; Michael Moon --; Reading Dance in Texts; Unrest and Uncle Tom: Bill T. Jones/Arnie Zane Dance Company's Last supper at Uncle Tom's cabin/The promised land; Jacqueline Shea Murphy --; Douglas Fairbanks: thief of the Ballets Russes; Gaylyn Studlar --; "A world without collisions" : ballroom dance in Athol Fugard's "MASTER HAROLD" ... and the boys; J. Ellen Gainor --; Dance in Theories of Writing; Choreographies; Jacques Derrida and Christie V. McDonald --; Incalculable choreographies : the dance practice of Marie Chouinard; Ann Cooper Albright --; Force and form in Faulkner's Light in August; Ellen W. Goellner --; Reading Writing About Dance; Mimique; Mark Franko --; Stéphane Mallarmé, Loie Fuller, and the theater of femininity /; Felicia McCarren --; Textual evidances /; Susan L. Foster
N2  - "Dance and literary studies have traditionally been at odds: dancers and dance critics have understood academic analysis to be overly invested in the mind at the expense of body signification; literary critics and theorists have seen dance studies as anti-theoretical, even anti-intellectual." -- Book cover
ER  -