Originally presented as the author's thesis (doctoral)--University of California, Riverside.
Includes bibliographical references (p. [223]-235) and index.
Introduction : positionality and the choreography of theory -- 1. The National Ballet of Senegal at a theatre in California -- 2. African dance, Africanist discourse, and negritude -- 3. The National Ballet of Senegal at a theatre in Dakar -- 4. Sabar dances and a women's public sphere -- 5. Tales of betrayals -- 6. The circulation of dances on and off the stage -- 7. Urban ballets and the professionalization of dance -- 7. Urban ballets and the professionalization of dance -- 8. Exploiting terŕnga -- Conclusion : negritude reconsidered.