Moving music : dialogues with music in twentieth-century ballet / Stephanie Jordan.

By: Material type: TextTextPublication details: London : Dance Books, 2000.Description: xiv, 378 p. : ill. ; 24 cmISBN:
  • 1852730765
  • 9781852730765
  • 1852730633 (pbk.)
  • 9781852730635 (pbk.)
Subject(s): DDC classification:
  • 21 792.8 JOR
Contents:
PART 1 : 1. Liberation movements: musical theory and practice in twentieth-century ballet -- 2. Hearing the dance, watching the music : issues of analysis, identity, and working process -- PART 2 : 3. George Balanchine -- 4. Frederick Ashton -- 5. Antony Tudor.
Summary: "This is an in-depth study of the relations between music and dance in the work of George Balanchine, Frederick Ashton and Anthony Tudor. Stephanie Jordan's perception throws light on many theoretical questions regarding dance and music structures." -- WorldCat
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Collection Call number Copy number Status Date due Barcode
Books Books Academy of Music & Performing Arts Library General Stacks Non-fiction 792.8 JOR (Browse shelf(Opens below)) C1 Available A04723
Books Books Academy of Music & Performing Arts Library General Stacks Non-fiction 792.8 JOR (Browse shelf(Opens below)) C2 Available A04724
Browsing Academy of Music & Performing Arts Library shelves, Shelving location: General Stacks, Collection: Non-fiction Close shelf browser (Hides shelf browser)
792.8 HIN Innovisions : 792.8 HIN Innovisions : 792.8 JON Dancing : 792.8 JOR Moving music : 792.8 JOR Moving music : 792.8 KAR Classical ballet : 792.8 KAR Ballet technique :

Includes bibliographical references (p. [367]-368) and index.

PART 1 : 1. Liberation movements: musical theory and practice in twentieth-century ballet -- 2. Hearing the dance, watching the music : issues of analysis, identity, and working process -- PART 2 : 3. George Balanchine -- 4. Frederick Ashton -- 5. Antony Tudor.

"This is an in-depth study of the relations between music and dance in the work of George Balanchine, Frederick Ashton and Anthony Tudor. Stephanie Jordan's perception throws light on many theoretical questions regarding dance and music structures." -- WorldCat

There are no comments on this title.

to post a comment.