Elisabeth Schumann : a biography / by Gerd Puritz ; edited and translated by Joy Puritz.
Material type:
- 0233987940
- 9780233987941
- 20 782.1092 SCH
- ML420.S388 P8 1993
Item type | Current library | Collection | Call number | Copy number | Status | Date due | Barcode | |
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Academy of Music & Performing Arts Library General Stacks | Non-fiction | 782.1092 SCH (Browse shelf(Opens below)) | C1 | Available | A02770 | ||
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Academy of Music & Performing Arts Library General Stacks | Non-fiction | 782.1092 SCH (Browse shelf(Opens below)) | C2 | Available | A04839 |
Browsing Academy of Music & Performing Arts Library shelves, Shelving location: General Stacks, Collection: Non-fiction Close shelf browser (Hides shelf browser)
782.1092 PAV The king & I : | 782.1092 PLE The great singers : | 782.1092 SCH Elisabeth Schumann : | 782.1092 SCH Elisabeth Schumann : | 782.1092 SCO Scotto : | 782.1092 SLA Singing my way / | 782.1092 STR The real traviata : |
Includes index.
Discography: p. 343-363.
Acknowledgements -- Ch. 1 Childhood -- Ch. 2 Finding a Teacher -- Ch. 3 Dresden -- Ch. 4 Berlin -- Ch. 5 Hamburg, 1909-1913 -- Ch. 6 Hamburg, 1913-1917 -- Ch. 7 Hamburg, 1917-1919 -- Ch. 8 Vienna, 1919-1921 -- Ch. 9 With Strauss in America, 1921 -- Ch. 10 Spain and Vienna, 1922-1924 -- Ch. 11 Italy, England and Vienna, 1924 -- Ch. 12 Vienna, 1924-1925 -- Ch. 13 Vienna, 1926-1928 -- Ch. 14 Vienna, 1929-1933 -- Ch. 15 Vienna, 1933-1936 -- Ch. 16 Vienna, 1936-1938 -- Ch. 17 1938: Emigrations -- Ch. 18 1938-1945: Exile and War -- Ch. 19 New York and Europe, 1945-1947 -- Ch. 20 New York and Europe, 1947-1950 -- Ch. 21 New York and Europe and South Africa, 1950-1951 -- Ch. 22 The Last Months, 1951-1952. Epilogue -- A Tribute by Lotte Lehmann -- List of Recordings by Floris Juynboll & James Seddon -- Recordings Indexed by Discography Numbers -- Index.
"The great soprano Elisabeth Schumann has her first outstanding triumph at the age of 23, in 1911, when she dazzled the audiences as Sophia, in Der Rosenkavalier. She was to become one of Richard Strauss's favourite interpreters of his work because of the silvery purity of her voice, the strength of her technique (so infallible that the listener could forget it and hear only what seemed to be a birdlike naturalness), and her instinctive taste and judgement. She was a glorious artist - and, now we learn, a truly enchanting woman." -- Jacket.
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