MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01669nam a22002297a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20190819105935.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
190819b xxu||||| |||| 00| 0 eng d |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(AuCNLDY)970320 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
NNX |
| Language of cataloging |
eng |
| Transcribing agency |
NNX |
| Modifying agency |
AMPA |
| 041 0# - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Edition number |
20 |
| Classification number |
781.3 |
| Item number |
PAL |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Palmer, King |
| Dates associated with a name |
1913-1999 |
| Relator term |
author |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Teach yourself to compose music / |
| Statement of responsibility, etc. |
by King Palmer. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
[London] : |
| Name of publisher, distributor, etc. |
Hodder and Stoughton for the English Universities Press, |
| Date of publication, distribution, etc. |
1947. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
viii, 271 p. : |
| Other physical details |
music ; |
| Dimensions |
18 cm. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Includes index. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Bibliography: p. 265-266. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Title |
Preface -- |
| -- |
I. General Principles of Music Composition -- |
| -- |
II. Scales and Intervals -- |
| -- |
III. First Steps in Melody Making -- |
| -- |
IV. Triads -- |
| -- |
V. The Addition of a Bass to a Melody -- |
| -- |
VI. Four-part Chords -- |
| -- |
VII. Harmonic Progression -- |
| -- |
VIII. Phrase Building -- |
| -- |
IX. Major Triads (First Inversion) -- |
| -- |
X. First Attempts at Musical Composition -- |
| -- |
XI. Major Triads (Second Inversion) -- |
| -- |
XII. PrimaryTriads in the Minor Key -- |
| -- |
XIII. The Chord of the Dominant Seventh |
| -- |
XIV. Some Secondary Triads -- |
| -- |
XV. Passing Notes -- |
| -- |
XVI. Writing for the Piano -- |
| -- |
XVII. Elementary Modulation -- |
| -- |
XVIII. Elementary Principles of Form -- |
| -- |
XIX. Sequences, Suspensions and Pedals -- |
| -- |
XX. More Secondary Triads -- |
| -- |
XXI. Irregular Phrase Construction -- |
| -- |
XXII. Secondary Sevenths -- |
| -- |
XXIII. The Chord of the dominant Ninth -- |
| -- |
XXIV. The Treatment of Vocal Music -- |
| -- |
XXV. Key, Character, and Expression -- |
| -- |
XXVI. Forms in Musical Composition -- |
| -- |
XXVII. The Business Side of Musical Composition -- |
| -- |
Bibliography. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Composition (Music) |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |
