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04286nam a22003017a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20190807111033.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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190805b xxu||||| |||| 00| 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
92116094 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0871271737 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780871271730 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)ocm25606933 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
fbl00599009 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Modifying agency |
BAKER |
| -- |
BTCTA |
| -- |
LVB |
| -- |
YDXCP |
| -- |
AMPA |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
GV1781 |
| Item number |
.D27 1992 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Edition number |
20 |
| Classification number |
792.809 |
| Item number |
COH |
| 245 10 - TITLE STATEMENT |
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| Title |
Dance as a theatre art : |
| Remainder of title |
source readings in dance history from 1581 to the present / |
| Statement of responsibility, etc. |
edited with commentary by Selma Jeanne Cohen ; with a new section by Katy Matheson. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
2nd ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Princeton, NJ : |
| Name of publisher, distributor, etc. |
Princeton Book Co., |
| Date of publication, distribution, etc. |
©1992. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
ix, 271 p. : |
| Other physical details |
ill. ; |
| Dimensions |
23 cm. |
| 500 ## - GENERAL NOTE |
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| General note |
"A Dance Horizons book." |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (p. [257]-271). |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Title |
Introduction~The Evolution of Theatre Dance -- |
| -- |
Section One~THE COURT BALLET : |
| -- |
Rules and Directions for Dancing the "Passo e Mezo," from Il Ballerino (Venice, 1581) / |
| Statement of responsibility |
Fabritio Caroso -- |
| Title |
Ballet Comique de la Reine (Paris, 1582) / |
| Statement of responsibility |
Balthasar de Beaujoyeulx -- |
| Title |
How to Compose Successful Ballets, from La Manière de composer et faire réussir les ballets (Paris, 1641) / |
| Statement of responsibility |
Saint-Hubert -- |
| Title |
Section Two~DANCE FOR THE EYE AND THE HEART: THE EIGHTEENTH CENTURY : |
| -- |
The Minuet, from Der Rechtschaffener Tantzmeister (Leipzig, 1717) / |
| Statement of responsibility |
Gottfried Taubert -- |
| Title |
The Loves of Mars and Venue (London, 1717) / |
| Statement of responsibility |
John Weaver -- |
| Title |
Two Letters on Dancing, from Lettres sur la danse et les ballets (Stuttgart, 1760) / |
| Statement of responsibility |
Jean Georges Noverre -- |
| Title |
Section Three~THE INVASION OF THE AIR: THE ROMANTIC ERA : |
| -- |
An Account of the Principles of Our Traditions, from Théorie de la gymnastique de la danse théâtrale (Paris, 1859) / |
| Statement of responsibility |
G. Léopold Adice -- |
| Title |
La Syliphide (Copenhagen, 1836) / |
| Statement of responsibility |
August Bournonville -- |
| Title |
Reviews of Fanny Cerrito and Marie Guy-Stéphan, from La Presse (1846, 1853) / |
| Statement of responsibility |
Théophile Gautier -- |
| Title |
Section Four~NEW LIFE FROM RUSSIA : |
| -- |
The Sleeping Beauty (St. Petersburg, 1889) / |
| Statement of responsibility |
Marius Petipa -- |
| Title |
The New Ballet, from Argus (1916) / |
| Statement of responsibility |
Michel Fokine -- |
| Title |
The Creation of "Parade," from My Life in Ballet (New York, 1968) / |
| Statement of responsibility |
Léonide Massine -- |
| Title |
The Spirit of the Classic Dance, from Theatre Arts Monthly (1925) / |
| Statement of responsibility |
André Levinson -- |
| Title |
Section Five~THE MODERN DANCE: MOVING FROM THE INSIDE OUT : |
| -- |
The Dancer of the Future, from The Art of the Dance (New York, 1928) / |
| Statement of responsibility |
Isadora Duncan -- |
| Title |
Music Visualization, from The Denishawn Magazine (1925) / |
| Statement of responsibility |
Ruth St. Denis -- |
| Title |
A Modern Dancer's Primer for Action, from Dance: A Basic Educational Technique (New York, 1941) / |
| Statement of responsibility |
Martha Graham -- |
| Title |
New Dance (New York, 1935) / |
| Statement of responsibility |
Doris Humphrey -- |
| Title |
The Philosophy of Modern Dance, from Europa (1933) / |
| Statement of responsibility |
Mary Wigman -- |
| Title |
Section Six~THE EXTENSION OF THE CLASSICAL TRADITION : |
| -- |
The Construction of the Lesson, from Basic Principles of Classical Ballet (Leningrad, 1934) / |
| Statement of responsibility |
Agrippina Vaganova -- |
| Title |
Our Point of View, from The Bolshoi Ballet (Moscow, 1960) / |
| Statement of responsibility |
Yuri Slonimsky -- |
| Title |
A Conversation, from Covent Garden Book (1964) / |
| Statement of responsibility |
Frederick Ashton -- |
| Title |
Talk About New Ballets, from Dance Magazine (1966) / |
| Statement of responsibility |
Antony Tudor -- |
| Title |
Dances at a Gathering, from Dance Magazine (1969) / |
| Statement of responsibility |
Jerome Robbins -- |
| Title |
Work in Progress, from Intellectua; Digest (1972) / |
| Statement of responsibility |
George Balanchine -- |
| Title |
Section Seven~RECENT REBELS : |
| -- |
Two Questions and Five Dances, from Dance Perspectives (1968) / |
| Statement of responsibility |
Merce Cunningham -- |
| Title |
Plan for a Television Production of "Tent," from Dance Perspectives (1971) / |
| Statement of responsibility |
Alwin Nikolais -- |
| Title |
"Vessel": An Opera Epic, from The Drama Review (1972) / |
| Statement of responsibility |
Meredith Monk. |
| Title |
Section Eight~BREAKING BOUNDARIES : |
| -- |
Contact Improvisation, from The Drama Review (1975) / |
| Statement of responsibility |
Steve Paxton -- |
| Title |
The Big Pieces (1972) and Excerpts from a Lecture-Demonstration (1991) / |
| Statement of responsibility |
Twyla Tharp -- |
| Title |
At Work, Swan Lake, and Hamlet Connotations, from Baryshnikov at Work (1976) / |
| Statement of responsibility |
Mikhail Baryshnikov -- |
| Title |
Carnations, from Pina Bausch - Wuppertal Dance Theater (Cologne, 1984) / |
| Statement of responsibility |
Pina Bausch -- |
| Title |
Time After Before Place (1991) / |
| Statement of responsibility |
Garth Fagan -- |
| Title |
The Hidden Soul of Harmony, from The South Bank Show (London, 1990) / |
| Statement of responsibility |
Mark Morris. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Dance |
| General subdivision |
History |
| -- |
Sources |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Relator code |
edt |
| Personal name |
Cohen, Selma Jeanne |
| Dates associated with a name |
1920-2005 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Relator code |
edt |
| Personal name |
Matheson, Katy |
| Dates associated with a name |
1948-2005 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Dewey Decimal Classification |
| Koha item type |
Books |
