Dance writings / (Record no. 3939)

MARC details
000 -LEADER
fixed length control field 09417cam a2200337 a 4500
001 - CONTROL NUMBER
control field 971835
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20190729142223.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 860404s1986 nyu b 001 0 eng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 85045935
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0394544161 (pbk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780394544168 (pbk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0394749847 (pbk. : cover)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780394749846 (pbk. : cover)
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Transcribing agency DLC
Modifying agency DLC
-- CStRLIN
-- NIC
-- CSt
-- OrLoB
-- UtOrBLW
-- AMPA
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number GV1599
Item number .D39 1986
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Edition number 20
Classification number 792.8
Item number DEN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Denby, Edwin
Dates associated with a name 1903-1983
Relator term author
245 10 - TITLE STATEMENT
Title Dance writings /
Statement of responsibility, etc. Edwin Denby ; edited by Robert Cornfield and William MacKay.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. New York :
Name of publisher, distributor, etc. Knopf :
-- Distributed by Random House,
Date of publication, distribution, etc. 1986.
300 ## - PHYSICAL DESCRIPTION
Extent xi, 608 p. ;
Dimensions 24 cm.
500 ## - GENERAL NOTE
General note Includes index.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Bibliography: p. [579]-581.
505 ## - FORMATTED CONTENTS NOTE
Title Introduction / by Robert Cornfield --
-- Edwin Denby, 1903-1983 / by William MacKay --
-- From Modern Music :
-- Nijinska's Noces --
-- Nijinsky's Faun ; Massine's Symphonie Fantastique ; American Ballet Caravan --
-- Graham's Chronicle ; Uday Shankar --
-- Balanchine's American Ballet --
-- Balanchine's Apollon ; American Ballet Caravan --
-- The World's Fair --
-- Massine and the new Monte Carlo --
-- Argentinita ; Some musicals ; Graham's American Document --
-- Modern dancers and human beings --
-- Ashton's Devil's Holiday and more Monte Carlo --
-- A note to composers --
-- Balanchine and Stravinsky : Poker Game and Baiser ; The Monte Carlo season --
-- Lifar as writer --
-- The Original Ballet Russe --
-- Graham's El Penitente and Letter to the World ; Balanchine's Balustrade --
-- Hanya Holm ; At the circus --
-- Kurt Jooss ; The Monte Carlo Ballet --
-- Ballet Theatre ; Graham's Punch and the Judy --
-- Carmen Amaya ; Isadora reconsidered ; Dance photographs ; Punch and the Judy revisited --
-- Fokine's Russian Soldier ; Tudor's Pillar of Fire ; Balanchine's Elephant Ballet --
-- De Mille's Rodeo ; Nijinska's Chopin Concerto ; Massine's Aleko --
-- Balanchine and Tchaikovsky : Ballet Imperial ; Carmen Amaya ; Doris Humphrey --
-- Markova's dance rhythm ; Tudor's Romeo and Juliet --
-- From the New York Herald Tribune :
-- The Nutcracker ; Massine's Three-Cornered Hat --
-- Dolin's Romantic Age --
-- Tudor's Dark Elegies ; Swan Lake --
-- Argentinita --
-- Charles Weidman --
-- Aleko ; Karen Conrad --
-- Loring's Billy the Kid --
-- Tudor's Romeo and Juliet revisited --
-- Danilova: pleasure in the grand style --
-- Ballet at Lewisohn: Les Sylphides and Petrouchka --
-- Swan Lake and Aleko at the Stadium --
-- Ballet Theatre and the Monte Carlo --
-- Massine's Capriccio Espagnol ; De Mille's Three Virgins ; Giselle --
-- Tudor's Gala Performance --
-- On commissioning new ballet scores --
-- Tudor and pantomime --
-- On meaning in dance --
-- Ballet technique --
-- The dance in film --
-- Balanchine and de Mille on Broadway --
-- Concert dancers in nightclubs --
-- Ice-Capades for war bonds --
-- Katherine Dunham --
-- About toe dancing --
-- How to judge a dancer --
-- Massine's Mademoiselle Angot --
-- Tudor's Pillar of Fire ; Dolin's Pas de Quatre --
-- Lichine's Fair st Sorochinsk --
-- A correction --
-- Back to the Fair --
-- Regrets about Mademoiselle Angot --
-- Tudor's Lilac Garden ; Lichine's Helen of Troy --
-- Argentinita's Pictures of Goya ; Tudor's Judgment of Paris --
-- Tudor's Dim Lustre --
-- Dim Lustre and Romeo and Juliet --
-- A Ballet Theatre matinee --
-- A Ballet Theatre matinee --
-- The de Mille Touch --
-- Tchaikovsky at Ballet Theatre --
-- Billy the Kid and its dance faults --
-- Concerto Barocco at Needle Trades High School --
-- Alonso's Giselle --
-- Some ballet books --
-- Rosella Hightower ; Jerome Robbins --
-- Some faults of Ballet Theatre --
-- Argentinita at Carnegie Hall --
-- American Concert Ballet : three new choreographers --
-- Dudley, Maslow, Bates --
-- A recital of dance styles --
-- Anna Sokolow : Carmen Jones ; Baronova --
-- Asadata Dafora --
-- Graham's Deaths and Entrances and Salem Shore --
-- Paul Draper --
-- The Metropolitan Opera Ballet --
-- Sybil Shearer ; Carmen Amaya --
-- Deaths and Entrances revisited --
-- Henie's Ice Revue --
-- Skating as ballet --
-- Pearl Primus and Valerie Bettis --
-- Hanya Holm's Orestes --
-- Why not a New York ballet? --
-- Swan Lake in East Indian --
-- The Rockettes and rhythm --
-- Humphrey's Inquest --
-- A note on dance intelligence --
-- A forum on dance criticism --
-- Merce Cunningham --
-- Rosario and Antonio --
-- Nijinska's Etude --
-- De Mille's Tally-ho --
-- Beecham at the ballet --
-- Nijinska's Chopin Concerto ; Balanchine's Serenade --
-- Serenade --
-- A Monte Carlo matinee --
-- The Monte Carlo at City Center --
-- Nijinska's Ancient Russia and Snow Maiden --
-- Fancy Free --
-- Boris and Moylan in Serenade --
-- Fancy Free a second time --
-- Pearl Primus --
-- Dark Elegies --
-- A tribute to Yousekevitch --
-- Janet Reed : learning to star --
-- Markova's Giselle : Ballet Theatre's glory --
-- Where are the new serious ballets? --
-- Graham's intellectual fury --
-- Three Graham solos --
-- Graham's American Document and Primitive Mysteries --
-- Markova in Les Sylphides --
-- Hightower as Swan Queen --
-- A ballet lover's view of Martha Graham --
-- Ballet conducting : Beecham and Bernstein --
-- Marianne Moore on Pavlova --
-- The Monte Carlo minus Franklin --
-- Schéhérazade : a foundering warhorse --
-- Balanchine's Danses Concertantes --
-- The Monte Carlo's Coppélia --
-- Coppélia tells the facts of life --
-- Balanchine's Bourgeois Gentilhomme --
-- Le Bourgeois transformed --
-- Pearl Primus on Broadway --
-- Lichine's Graduation Ball ; Toumanova --
-- Ballet Theatre back in stride --
-- Balanchine's Waltz Academy --
-- Riabouchinska and Toumanova --
-- Toumanova in Giselle --
-- Princess Aurora and Petipa --
-- Toumanova's show --
-- Don Quixote Pas de Deux --
-- Carnaval --
-- A fault in Ballet Theatre's dancing --
-- Ballet International --
-- Caton's Sebastian --
-- Semenoff's Memories ; Nijinska's Bolero --
-- Nijinska's Pictures at an Exhibition --
-- Toumanova and Dolin at Ballet Theatre --
-- Ballet International at two weeks --
-- Cobos's Mute Wife --
-- About Ballet decoration --
-- Meaning in The Nutcracker --
-- Dali's Mad Tristan --
-- International's farewell --
-- Ballet International in retrospect --
-- Cunningham solo --
-- India, Haiti, Africa --
-- On the Town ; Sing Out, Sweet Land ; Song of Norway --
-- Dudley, Maslow, Bales and Cunningham --
-- Deaths and Entrances --
-- Marie Marchowsky and Jean Erdman --
-- More Argentinita --
-- Ballet Imperial --
-- Le Bourgeois Gentilhomme --
-- Danses Concertantes ; Nijinska's Snow Maiden --
-- Page and Stone's Frankie and Johnny --
-- Frankie and Johnny : an indecent ballet? --
-- Balanchine's Mozartiana --
-- Coppélia : ballet's masterpiece of comedy --
-- Balanchine's Pas de Deux --
-- Balanchine : ballet magician --
-- The Monte Carlo now --
-- Nijinska's Harvest Time --
-- Massine's Moonlight Sonata --
-- Markova at Ballet Theatre --
-- Tudor's Undertow --
-- The Toumanova problem --
-- Ballet Theatre's season --
-- Valerie Bettis --
-- Appalachian Spring --
-- Graham's Herodiade --
-- Graham's John Brown --
-- Cunningham's Mysterious Adventure --
-- Appalachian Spring and Herodiade a second time --
-- Concerto Barocco : Bach in bathing suits --
-- Danilova and rhythm --
-- Danilova and rhythm --
-- Concerto Barocco --
-- Bolender's Comedia Balletica --
-- To Argentinita --
-- Undertow revisited --
-- Michael Kidd's On Stage --
-- Semenoff's Gift of the Magi --
-- Apollo : the power of poetry --
-- Alonso and Eglevsky in Giselle --
-- Chagall's Firebird --
-- Taras's Graziana --
-- Apollo --
-- Ups and downs at Ballet Theatre --
-- Robbins's Interplay --
-- Robbins's Interplay --
-- Markova's failing --
-- The American Ballet School at Carnegie Hall --
-- Ballet Theatre in decline ... and a farewell --
-- Reviews and Appreciations :
-- The Monte Caro distracted --
-- Ballet Theatre vs. Hurok : a war of attrition --
-- Ballet Theatre wins --
-- Wigman after the war --
-- Ashton's Cinderella --
-- An open letter about the Paris Opera Ballet --
-- A letter about Ulanova --
-- A letter about Ulanova and the Royal Danish Ballet --
-- Impressions of Markova at the Met --
-- Obituary for Ballet --
-- Stars of the Russian Ballet : a film review --
-- Romeo and Juliet : a film review --
-- The Bolshoi at the Met --
-- A note on Kabuki --
-- The Royal Ballet in New York --
-- Martha at sixty-eight --
-- Paul Taylor --
-- Merce Cunningham --
-- Balanchine and the New York City Ballet :
-- A note on Balanchine's present style --
-- The Four Temperaments --
-- A letter on New York City's Ballet --
-- A letter on Caracole --
-- Some thoughts about classicism and George Balanchine --
-- Opus 34 --
-- The Nutcracker --
-- Western Symphony and Ivesiana --
-- Roma --
-- Three sides of Agon --
-- In the abstract --
-- Liebeslieder Walzer --
-- Electronics --
-- Balanchine choreographing --
-- A Midsummer Night's Dream --
-- Don Quixote --
-- Balanchine's poetics --
-- Essays :
-- Notes on Nijinsky photographs --
-- Flight of the dancer --
-- A technical weakness of our male dancers --
-- Ballet : the American position --
-- A briefing in American ballet --
-- Against meaning in ballet --
-- Dance criticism --
-- Superficial thoughts on foreign classicism --
-- Dancers, buildings, and people in the streets --
-- Forms in motion and in thought --
-- Appendix: From the Postscript to Dancers, buildings and people in the streets ; Introduction to Dancers, buildings and people in the streets / by Frank O'Hara.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Dance
General subdivision Reviews.
700 1# - ADDED ENTRY--PERSONAL NAME
Relator code edt
Personal name Cornfield, Robert
700 1# - ADDED ENTRY--PERSONAL NAME
Relator code edt
Personal name MacKay, William,
Dates associated with a name 1943-
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN)
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942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Materials specified (bound volume or other part) Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type
    Dewey Decimal Classification Paperback     Non-fiction Academy of Music & Performing Arts Library Academy of Music & Performing Arts Library General Stacks 07/29/2019   792.8 DEN A04686 07/29/2019 40.00 07/29/2019 Books