MARC details
000 -LEADER |
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09417cam a2200337 a 4500 |
001 - CONTROL NUMBER |
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971835 |
003 - CONTROL NUMBER IDENTIFIER |
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OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
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20190729142223.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
860404s1986 nyu b 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
85045935 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0394544161 (pbk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780394544168 (pbk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0394749847 (pbk. : cover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780394749846 (pbk. : cover) |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Transcribing agency |
DLC |
Modifying agency |
DLC |
-- |
CStRLIN |
-- |
NIC |
-- |
CSt |
-- |
OrLoB |
-- |
UtOrBLW |
-- |
AMPA |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
GV1599 |
Item number |
.D39 1986 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Edition number |
20 |
Classification number |
792.8 |
Item number |
DEN |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Denby, Edwin |
Dates associated with a name |
1903-1983 |
Relator term |
author |
245 10 - TITLE STATEMENT |
Title |
Dance writings / |
Statement of responsibility, etc. |
Edwin Denby ; edited by Robert Cornfield and William MacKay. |
250 ## - EDITION STATEMENT |
Edition statement |
1st ed. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York : |
Name of publisher, distributor, etc. |
Knopf : |
-- |
Distributed by Random House, |
Date of publication, distribution, etc. |
1986. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xi, 608 p. ; |
Dimensions |
24 cm. |
500 ## - GENERAL NOTE |
General note |
Includes index. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Bibliography: p. [579]-581. |
505 ## - FORMATTED CONTENTS NOTE |
Title |
Introduction / by Robert Cornfield -- |
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Edwin Denby, 1903-1983 / by William MacKay -- |
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From Modern Music : |
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Nijinska's Noces -- |
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Nijinsky's Faun ; Massine's Symphonie Fantastique ; American Ballet Caravan -- |
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Graham's Chronicle ; Uday Shankar -- |
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Balanchine's American Ballet -- |
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Balanchine's Apollon ; American Ballet Caravan -- |
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The World's Fair -- |
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Massine and the new Monte Carlo -- |
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Argentinita ; Some musicals ; Graham's American Document -- |
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Modern dancers and human beings -- |
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Ashton's Devil's Holiday and more Monte Carlo -- |
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A note to composers -- |
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Balanchine and Stravinsky : Poker Game and Baiser ; The Monte Carlo season -- |
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Lifar as writer -- |
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The Original Ballet Russe -- |
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Graham's El Penitente and Letter to the World ; Balanchine's Balustrade -- |
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Hanya Holm ; At the circus -- |
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Kurt Jooss ; The Monte Carlo Ballet -- |
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Ballet Theatre ; Graham's Punch and the Judy -- |
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Carmen Amaya ; Isadora reconsidered ; Dance photographs ; Punch and the Judy revisited -- |
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Fokine's Russian Soldier ; Tudor's Pillar of Fire ; Balanchine's Elephant Ballet -- |
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De Mille's Rodeo ; Nijinska's Chopin Concerto ; Massine's Aleko -- |
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Balanchine and Tchaikovsky : Ballet Imperial ; Carmen Amaya ; Doris Humphrey -- |
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Markova's dance rhythm ; Tudor's Romeo and Juliet -- |
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From the New York Herald Tribune : |
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The Nutcracker ; Massine's Three-Cornered Hat -- |
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Dolin's Romantic Age -- |
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Tudor's Dark Elegies ; Swan Lake -- |
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Argentinita -- |
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Charles Weidman -- |
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Aleko ; Karen Conrad -- |
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Loring's Billy the Kid -- |
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Tudor's Romeo and Juliet revisited -- |
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Danilova: pleasure in the grand style -- |
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Ballet at Lewisohn: Les Sylphides and Petrouchka -- |
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Swan Lake and Aleko at the Stadium -- |
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Ballet Theatre and the Monte Carlo -- |
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Massine's Capriccio Espagnol ; De Mille's Three Virgins ; Giselle -- |
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Tudor's Gala Performance -- |
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On commissioning new ballet scores -- |
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Tudor and pantomime -- |
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On meaning in dance -- |
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Ballet technique -- |
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The dance in film -- |
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Balanchine and de Mille on Broadway -- |
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Concert dancers in nightclubs -- |
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Ice-Capades for war bonds -- |
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Katherine Dunham -- |
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About toe dancing -- |
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How to judge a dancer -- |
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Massine's Mademoiselle Angot -- |
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Tudor's Pillar of Fire ; Dolin's Pas de Quatre -- |
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Lichine's Fair st Sorochinsk -- |
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A correction -- |
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Back to the Fair -- |
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Regrets about Mademoiselle Angot -- |
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Tudor's Lilac Garden ; Lichine's Helen of Troy -- |
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Argentinita's Pictures of Goya ; Tudor's Judgment of Paris -- |
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Tudor's Dim Lustre -- |
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Dim Lustre and Romeo and Juliet -- |
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A Ballet Theatre matinee -- |
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A Ballet Theatre matinee -- |
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The de Mille Touch -- |
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Tchaikovsky at Ballet Theatre -- |
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Billy the Kid and its dance faults -- |
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Concerto Barocco at Needle Trades High School -- |
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Alonso's Giselle -- |
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Some ballet books -- |
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Rosella Hightower ; Jerome Robbins -- |
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Some faults of Ballet Theatre -- |
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Argentinita at Carnegie Hall -- |
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American Concert Ballet : three new choreographers -- |
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Dudley, Maslow, Bates -- |
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A recital of dance styles -- |
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Anna Sokolow : Carmen Jones ; Baronova -- |
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Asadata Dafora -- |
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Graham's Deaths and Entrances and Salem Shore -- |
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Paul Draper -- |
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The Metropolitan Opera Ballet -- |
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Sybil Shearer ; Carmen Amaya -- |
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Deaths and Entrances revisited -- |
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Henie's Ice Revue -- |
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Skating as ballet -- |
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Pearl Primus and Valerie Bettis -- |
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Hanya Holm's Orestes -- |
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Why not a New York ballet? -- |
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Swan Lake in East Indian -- |
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The Rockettes and rhythm -- |
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Humphrey's Inquest -- |
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A note on dance intelligence -- |
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A forum on dance criticism -- |
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Merce Cunningham -- |
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Rosario and Antonio -- |
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Nijinska's Etude -- |
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De Mille's Tally-ho -- |
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Beecham at the ballet -- |
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Nijinska's Chopin Concerto ; Balanchine's Serenade -- |
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Serenade -- |
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A Monte Carlo matinee -- |
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The Monte Carlo at City Center -- |
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Nijinska's Ancient Russia and Snow Maiden -- |
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Fancy Free -- |
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Boris and Moylan in Serenade -- |
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Fancy Free a second time -- |
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Pearl Primus -- |
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Dark Elegies -- |
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A tribute to Yousekevitch -- |
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Janet Reed : learning to star -- |
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Markova's Giselle : Ballet Theatre's glory -- |
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Where are the new serious ballets? -- |
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Graham's intellectual fury -- |
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Three Graham solos -- |
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Graham's American Document and Primitive Mysteries -- |
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Markova in Les Sylphides -- |
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Hightower as Swan Queen -- |
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A ballet lover's view of Martha Graham -- |
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Ballet conducting : Beecham and Bernstein -- |
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Marianne Moore on Pavlova -- |
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The Monte Carlo minus Franklin -- |
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Schéhérazade : a foundering warhorse -- |
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Balanchine's Danses Concertantes -- |
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The Monte Carlo's Coppélia -- |
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Coppélia tells the facts of life -- |
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Balanchine's Bourgeois Gentilhomme -- |
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Le Bourgeois transformed -- |
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Pearl Primus on Broadway -- |
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Lichine's Graduation Ball ; Toumanova -- |
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Ballet Theatre back in stride -- |
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Balanchine's Waltz Academy -- |
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Riabouchinska and Toumanova -- |
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Toumanova in Giselle -- |
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Princess Aurora and Petipa -- |
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Toumanova's show -- |
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Don Quixote Pas de Deux -- |
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Carnaval -- |
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A fault in Ballet Theatre's dancing -- |
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Ballet International -- |
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Caton's Sebastian -- |
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Semenoff's Memories ; Nijinska's Bolero -- |
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Nijinska's Pictures at an Exhibition -- |
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Toumanova and Dolin at Ballet Theatre -- |
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Ballet International at two weeks -- |
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Cobos's Mute Wife -- |
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About Ballet decoration -- |
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Meaning in The Nutcracker -- |
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Dali's Mad Tristan -- |
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International's farewell -- |
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Ballet International in retrospect -- |
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Cunningham solo -- |
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India, Haiti, Africa -- |
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On the Town ; Sing Out, Sweet Land ; Song of Norway -- |
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Dudley, Maslow, Bales and Cunningham -- |
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Deaths and Entrances -- |
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Marie Marchowsky and Jean Erdman -- |
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More Argentinita -- |
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Ballet Imperial -- |
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Le Bourgeois Gentilhomme -- |
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Danses Concertantes ; Nijinska's Snow Maiden -- |
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Page and Stone's Frankie and Johnny -- |
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Frankie and Johnny : an indecent ballet? -- |
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Balanchine's Mozartiana -- |
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Coppélia : ballet's masterpiece of comedy -- |
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Balanchine's Pas de Deux -- |
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Balanchine : ballet magician -- |
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The Monte Carlo now -- |
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Nijinska's Harvest Time -- |
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Massine's Moonlight Sonata -- |
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Markova at Ballet Theatre -- |
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Tudor's Undertow -- |
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The Toumanova problem -- |
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Ballet Theatre's season -- |
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Valerie Bettis -- |
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Appalachian Spring -- |
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Graham's Herodiade -- |
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Graham's John Brown -- |
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Cunningham's Mysterious Adventure -- |
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Appalachian Spring and Herodiade a second time -- |
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Concerto Barocco : Bach in bathing suits -- |
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Danilova and rhythm -- |
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Danilova and rhythm -- |
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Concerto Barocco -- |
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Bolender's Comedia Balletica -- |
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To Argentinita -- |
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Undertow revisited -- |
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Michael Kidd's On Stage -- |
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Semenoff's Gift of the Magi -- |
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Apollo : the power of poetry -- |
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Alonso and Eglevsky in Giselle -- |
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Chagall's Firebird -- |
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Taras's Graziana -- |
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Apollo -- |
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Ups and downs at Ballet Theatre -- |
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Robbins's Interplay -- |
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Robbins's Interplay -- |
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Markova's failing -- |
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The American Ballet School at Carnegie Hall -- |
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Ballet Theatre in decline ... and a farewell -- |
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Reviews and Appreciations : |
-- |
The Monte Caro distracted -- |
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Ballet Theatre vs. Hurok : a war of attrition -- |
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Ballet Theatre wins -- |
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Wigman after the war -- |
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Ashton's Cinderella -- |
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An open letter about the Paris Opera Ballet -- |
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A letter about Ulanova -- |
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A letter about Ulanova and the Royal Danish Ballet -- |
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Impressions of Markova at the Met -- |
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Obituary for Ballet -- |
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Stars of the Russian Ballet : a film review -- |
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Romeo and Juliet : a film review -- |
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The Bolshoi at the Met -- |
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A note on Kabuki -- |
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The Royal Ballet in New York -- |
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Martha at sixty-eight -- |
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Paul Taylor -- |
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Merce Cunningham -- |
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Balanchine and the New York City Ballet : |
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A note on Balanchine's present style -- |
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The Four Temperaments -- |
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A letter on New York City's Ballet -- |
-- |
A letter on Caracole -- |
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Some thoughts about classicism and George Balanchine -- |
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Opus 34 -- |
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The Nutcracker -- |
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Western Symphony and Ivesiana -- |
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Roma -- |
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Three sides of Agon -- |
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In the abstract -- |
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Liebeslieder Walzer -- |
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Electronics -- |
-- |
Balanchine choreographing -- |
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A Midsummer Night's Dream -- |
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Don Quixote -- |
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Balanchine's poetics -- |
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Essays : |
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Notes on Nijinsky photographs -- |
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Flight of the dancer -- |
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A technical weakness of our male dancers -- |
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Ballet : the American position -- |
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A briefing in American ballet -- |
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Against meaning in ballet -- |
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Dance criticism -- |
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Superficial thoughts on foreign classicism -- |
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Dancers, buildings, and people in the streets -- |
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Forms in motion and in thought -- |
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Appendix: From the Postscript to Dancers, buildings and people in the streets ; Introduction to Dancers, buildings and people in the streets / by Frank O'Hara. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Dance |
General subdivision |
Reviews. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Relator code |
edt |
Personal name |
Cornfield, Robert |
700 1# - ADDED ENTRY--PERSONAL NAME |
Relator code |
edt |
Personal name |
MacKay, William, |
Dates associated with a name |
1943- |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
7 |
b |
cbc |
c |
orignew |
d |
1 |
e |
ocip |
f |
19 |
g |
y-gencatlg |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Dewey Decimal Classification |
Koha item type |
Books |