Performance perspectives : (Record no. 3925)

MARC details
000 -LEADER
fixed length control field 05086nam a22002777a 4500
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20190723115429.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 190723b xxu||||| |||| 00| 0 eng d
016 ## - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER
Source Uk
Record control number 015820501
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780230243453
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0230243452
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC) 713185435
040 ## - CATALOGING SOURCE
Original cataloging agency BTCTA
Language of cataloging eng
Transcribing agency BTCTA
Modifying agency UKMGB
-- YDXCP
-- NLE
-- BWX
-- YOU
-- CDX
-- CUI
-- AMPA
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1584
Item number .P473 2011
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Edition number 20
Classification number 792.028
Item number PIT
245 00 - TITLE STATEMENT
Title Performance perspectives :
Remainder of title a critical introduction /
Statement of responsibility, etc. edited by Jonathan Pitches and Sita Popat.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. New York :
Name of publisher, distributor, etc. Palgrave Macmillan,
Date of publication, distribution, etc. 2011.
300 ## - PHYSICAL DESCRIPTION
Extent xx, 244 p. :
Other physical details ill. ;
Dimensions 24 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (p. 207-218) and index.
505 ## - FORMATTED CONTENTS NOTE
Title CHAPTER 1 Introduction / Jonathan Pitches :
Statement of responsibility Performance perspectives ; Borth Bench ; Summary ; Chapter summaries ; Activities ; Further reading --
Title CHAPTER 2 Body / introduced and edited by Anna Fenemore :
-- Introduction --
-- 2.1 Any body? The multiple bodies of the performer / Victor Ramirez Ladron de Guevara :
Statement of responsibility The textual body ; The lived body ; The ecstatic (or fleshly) body ; The recessive (or visceral) body ; The unnatural body ; The imagined body --
Title 2.2 Some body and no body: the body of a performer / Wendy Houston :
Statement of responsibility Some body ; No body ; A somebody or a nobody ; The 'at risk' body ; The ageing body --
Title 2.3 Every body: performance's other bodies / Anna Fenemore :
Statement of responsibility Some bodies observed ; The spectating body ; The social body ; The uncomfortable body ; The absent body ; The transformed body ; The irreplaceable body ; Activities ; Further reading --
Title CHAPTER 3 Space / introduced and edited by Scott Palmer :
-- Introduction :
-- 3.1. Event-space: performance space and spatial performativity / Dorita Hannah :
Statement of responsibility Performing space ; Event-space and spatial events ; The end of illusion ; The empty space ; Disciplinary manoeuvres ; Presencing architecture --
Title 3.2. Scenographic space and place / Louise Ann Wilson in conversation with Scott Palmer --
-- 3.3. Audience space/scenographic space / Scott Palmer :
Statement of responsibility Performance space and the audience ; Performance place and scenographic space ; The empty space and the performer ; Activities --
Title CHAPTER 4 Time / introduced and edited by Tony Gardner :
-- Introduction --
-- 4.1. Theatre, technology and time / Steve Dixon :
Statement of responsibility Postmodern time ; Extratemporality ; Freezing time ; Conclusion time --
Title 4.2. Ghost Dance: time and duration in the work of Lone Twin / Gregg Whelan in conversation with Tony Gardner --
-- 4.3. The lives and times of performance / Tony Gardner :
Statement of responsibility The unique connection between performance and time ; Antony Gormley and the Fourth Plinth ; Grasping time ; Conclusion ; Activities ; Further reading --
Title CHAPTER 5 Technology / introduced and edited by Sita Popat :
-- Introduction --
-- 5.1. Gaming and performance: narrative and identity / Jessica Wood :
Statement of responsibility Computer games as drama ; Self-representation and the avatar ; Being there, doing that ; The fourth wall ; Conclusion --
Title 5.2. SwanQuake: House: 'messing the system up' / Sita Popat :
Statement of responsibility SwanQuake: House: A personal experience (Sita Popat) ; Interview with Ruth Gibson and Bruno Martelli --
Title 5.3. Performance and technology: the myth of disembodiment / Sita Popat :
Statement of responsibility Introduction ; Cyberspace ; 'Touching with my eyes' ; Liveness ; Is any body out there? ; Conclusion ; Activities --
Title CHAPETR 6 Interactivity / introduced and edited by Alice O'Grady :
-- Introduction --
-- Two perspectives on interaction --
-- 6.1. Boalian perspectives on interactivity in theatre / John Somers :
Statement of responsibility Introduction ; The real and the fictional ; What kinds of interactivity are there? ; What does the audience contribute? ; What are the challenges for the actors? ; The need for closure and for support post-event ; Conclusion --
Title 6.2. Interactivity and the work of Blast Theory / Matt Adams in Conversation with Alice O'Grady --
-- 6.3. Interactivity: functions and risks / Alice O'Grady :
Statement of responsibility Interactivity and performance ; Interactive performance is always incomplete ; Interactivity in practice ; Spaces of interactivity ; Conclusion ; Activities ; Further reading --
Title CHAPTER 7 Organization / introduced and edited by Calvin Taylor :
-- Introduction --
-- 7.1. Performance, culture, industry / Ralph Brown :
Statement of responsibility Value, assets and returns ; Communities of practice ; Conclusion --
Title 7.2. Organizational agility and improvisation / Teo Greenstreet --
-- 7.3. Performance, organization, theory / Calvin Taylor :
Statement of responsibility The machine metaphor ; Organization as organism ; Organization as network ; Activities ; Further reading --
Title CHAPTER 8 Epilogue / Jonathan Pitches.
520 ## - SUMMARY, ETC.
Summary, etc. "This critical introduction to Performance Studies provides undergraduates with an accessible way into terminology and context. Using a tripartite structure that combines the voices of artists, critics and teachers, it addresses a variety of practices moving through body, space, time, technology, interactivity and organization." -- Publisher description.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Performing arts.
700 1# - ADDED ENTRY--PERSONAL NAME
Relator code edt
Personal name Pitches, Jonathan
Dates associated with a name 1968-
700 1# - ADDED ENTRY--PERSONAL NAME
Relator code edt
Personal name Popat, Sita
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Materials specified (bound volume or other part) Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Cost, replacement price Price effective from Koha item type
    Dewey Decimal Classification Paperback     Non-fiction Academy of Music & Performing Arts Library Academy of Music & Performing Arts Library General Stacks 07/23/2019   792.028 PIT A04668 07/23/2019 100.00 07/23/2019 Books