Vocal recitative :
Vocal recitative : historically and practically described, with 54 examples [music] /
selected from important works by F. Corder.
- London : Associated Board of the Royal Schools of Music, [n.d.].
- 1 score (xi, 43 p.) : music ; 32 cm.
Chiefly from English, French, German, and Italian operas, oratorios, and cantatas; keyboard acc.
1. Nel pur' ardor from 'Euridice' / 2. Nor sun nor all bright stars from 'Orfeo' / 3. A hideous dream makes all my senses reel from Armide / 4. Why, why hast thou robb'd me of my rest? from 'Saul and the Witch of Endor / 5. Thy hand, Belinda from 'Dido's Lament' / 6. Blow, blow, Boreas blow from 'The Tempest' / 7. Ma di che mi luisngo oh dio from 'Orfeo' / 8. Whil Corydon, the lonely shepherd from 'Corydon' / 9. Aye, be it so! from 'Alexander Balus' / 10. The hope was mine from 'Otho' / 11. Otho arrived! from 'Otho' / 12. Ye verdant plains and woody mountains from 'Acis and Galatea' / 13. The rosy morn with golden tresses from 'The Early Horn' / 14. O take thou, world, all my possessing from 'When will God recall my spirit?' / 15. How can I hope, O Lord from 'Give the starving poor thy bread' / 16. My heart is filled with anguish from 'Blessed Lord, when shall I perish?' / 17. And His disciples worshipped Him from 'Praise the Lord' / 18. A heathen darkness is spreading from 'Bide with us!' / 19. From yonder sun-paved fields above from 'Britannia' / 20. How gentle was my Damon's air! from 'Comus' / 21 . What tidings! from 'Orpheus' / 22. Roland! Heav'n! from 'Armida' / 23. O how late is Susanne from 'Le Nozze d Figaro' / 24. Prince Charming from 'Cinderella' / 25. Ocean, thou mighty monster from 'Oberon' / 26. No more friends these sounds alarming from 'Choral Symphony' / 27. Here for your judgement from 'Norma' / 28. But as for thee, my faithful, charming maiden from 'Das Nachtlager von Granada' / 29. Ah! I was too late! from 'Linda di Chamounix' / 30. Hast thou for me a look, a thought? from 'Calvary' / 31. To the dust my spirit sinks in deep abasement from 'Calvary' / 32. And his companions from 'St. Paul' / 33. Then tell me, ye terrible rulers from 'Loreley' / 34. Her first fond hope of Eden lost from 'Paradise and the Peri' / 35. Here is the terrible spot from 'Un ballo in Maschera' / 36. There he lies, murdered and cold from 'Rigoletto' / 37. Bride and bridegroom; that's the toast from 'The Soldier's Legacy' / 38. Renounce my love from 'Mirella' / 39. The Greeks all disappeared 'The Fall of Troy' / 40. I crave thy hospitality awhile from 'The Flying Dutchman' / 41. Ha! discontented! from 'Tannhäuser' / 42. Away Elsa! from 'Lohengrin' / 43. Then he whom I conjured spake thus from 'Tannhäuser' / 44. The tribe of Hunding held in the hall from 'The Valkyrie' / 45. When youthful love's illusions had fled from 'The Valkyrie' / 46. Fear ye her doom? from 'The Valkyrie' / 47. Seems it so senseless what I say? from Tristan and Isolde' / 48. Hey! Siegfried may handle the Nibelung's hoard from 'Siegfried' / 49. Woo thou thy snowflake till she melt for thee! from 'Ivanhoe' / 50. O awful depth, below the castle wall from 'Ivanhoe' / 51. Orso, read aloud and proclaim from 'Columba' / 52. Then get you gone! from 'Nadeshda' / 53. Am I maid, and must I die? from 'The Sleeping Beauty' / 54. Jerusalem was loved of the Lord from 'Judith' / Peri -- Monteverde -- Lully -- Purcell -- Purcell -- Purcell -- Scarlatti -- Pepusch -- Handel -- Handel -- Handel -- Handel -- Galliard -- Bach -- Bach -- Bach -- Bach -- Bach -- Arne -- Arne -- Gluck -- Gluck -- Mozart -- Rossini -- Weber -- Beethoven -- Bellini -- Kreutzer -- Donizetti -- Spohr -- Spohr -- Mendelssohn -- Mendelssohn -- Schumann -- Verdi -- Verdi -- Macfarren -- Gounod -- Berlioz -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Sullivan -- Sullivan -- Mackenzie -- Thomas (Goring) / Cowen -- Parry.
A. B. 77 Associated Board of the Royal Schools of Music
Singing--Interpretation (Phrasing, dynamics, etc.)
Operas--Excerpts.
Oratorios--Excerpts.
Cantatas--Excerpts.
MT892 / .V6
M 782.1 / CORD
Chiefly from English, French, German, and Italian operas, oratorios, and cantatas; keyboard acc.
1. Nel pur' ardor from 'Euridice' / 2. Nor sun nor all bright stars from 'Orfeo' / 3. A hideous dream makes all my senses reel from Armide / 4. Why, why hast thou robb'd me of my rest? from 'Saul and the Witch of Endor / 5. Thy hand, Belinda from 'Dido's Lament' / 6. Blow, blow, Boreas blow from 'The Tempest' / 7. Ma di che mi luisngo oh dio from 'Orfeo' / 8. Whil Corydon, the lonely shepherd from 'Corydon' / 9. Aye, be it so! from 'Alexander Balus' / 10. The hope was mine from 'Otho' / 11. Otho arrived! from 'Otho' / 12. Ye verdant plains and woody mountains from 'Acis and Galatea' / 13. The rosy morn with golden tresses from 'The Early Horn' / 14. O take thou, world, all my possessing from 'When will God recall my spirit?' / 15. How can I hope, O Lord from 'Give the starving poor thy bread' / 16. My heart is filled with anguish from 'Blessed Lord, when shall I perish?' / 17. And His disciples worshipped Him from 'Praise the Lord' / 18. A heathen darkness is spreading from 'Bide with us!' / 19. From yonder sun-paved fields above from 'Britannia' / 20. How gentle was my Damon's air! from 'Comus' / 21 . What tidings! from 'Orpheus' / 22. Roland! Heav'n! from 'Armida' / 23. O how late is Susanne from 'Le Nozze d Figaro' / 24. Prince Charming from 'Cinderella' / 25. Ocean, thou mighty monster from 'Oberon' / 26. No more friends these sounds alarming from 'Choral Symphony' / 27. Here for your judgement from 'Norma' / 28. But as for thee, my faithful, charming maiden from 'Das Nachtlager von Granada' / 29. Ah! I was too late! from 'Linda di Chamounix' / 30. Hast thou for me a look, a thought? from 'Calvary' / 31. To the dust my spirit sinks in deep abasement from 'Calvary' / 32. And his companions from 'St. Paul' / 33. Then tell me, ye terrible rulers from 'Loreley' / 34. Her first fond hope of Eden lost from 'Paradise and the Peri' / 35. Here is the terrible spot from 'Un ballo in Maschera' / 36. There he lies, murdered and cold from 'Rigoletto' / 37. Bride and bridegroom; that's the toast from 'The Soldier's Legacy' / 38. Renounce my love from 'Mirella' / 39. The Greeks all disappeared 'The Fall of Troy' / 40. I crave thy hospitality awhile from 'The Flying Dutchman' / 41. Ha! discontented! from 'Tannhäuser' / 42. Away Elsa! from 'Lohengrin' / 43. Then he whom I conjured spake thus from 'Tannhäuser' / 44. The tribe of Hunding held in the hall from 'The Valkyrie' / 45. When youthful love's illusions had fled from 'The Valkyrie' / 46. Fear ye her doom? from 'The Valkyrie' / 47. Seems it so senseless what I say? from Tristan and Isolde' / 48. Hey! Siegfried may handle the Nibelung's hoard from 'Siegfried' / 49. Woo thou thy snowflake till she melt for thee! from 'Ivanhoe' / 50. O awful depth, below the castle wall from 'Ivanhoe' / 51. Orso, read aloud and proclaim from 'Columba' / 52. Then get you gone! from 'Nadeshda' / 53. Am I maid, and must I die? from 'The Sleeping Beauty' / 54. Jerusalem was loved of the Lord from 'Judith' / Peri -- Monteverde -- Lully -- Purcell -- Purcell -- Purcell -- Scarlatti -- Pepusch -- Handel -- Handel -- Handel -- Handel -- Galliard -- Bach -- Bach -- Bach -- Bach -- Bach -- Arne -- Arne -- Gluck -- Gluck -- Mozart -- Rossini -- Weber -- Beethoven -- Bellini -- Kreutzer -- Donizetti -- Spohr -- Spohr -- Mendelssohn -- Mendelssohn -- Schumann -- Verdi -- Verdi -- Macfarren -- Gounod -- Berlioz -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Wagner -- Sullivan -- Sullivan -- Mackenzie -- Thomas (Goring) / Cowen -- Parry.
A. B. 77 Associated Board of the Royal Schools of Music
Singing--Interpretation (Phrasing, dynamics, etc.)
Operas--Excerpts.
Oratorios--Excerpts.
Cantatas--Excerpts.
MT892 / .V6
M 782.1 / CORD