Contemporary music theory level 2 : a complete harmony and theory method for the pop & jazz musician / by Mark Harrison.

By: Material type: TextTextPublisher number: HL00220015Publication details: [Sherman Oaks, Calif.] : Harrison Music Education Systems ; Milwaukee, Wis. : Hal Leonard, ©1995.Description: x, 370 p. : ill., music ; 28 cmISBN:
  • 0793598826
Subject(s): DDC classification:
  • 20 O 781.2164  HAR
LOC classification:
  • MT50 .H293 1995
Contents:
CH 1: Review of Contemporary Music Theory Level One -- CH 2: Five-part chords and the II-V-I (two-five-one) progression in major keys -- CH 3: Plural substitute chords and harmonic analysis in major keys -- Ch 4: Five-part chords and the II-V-I (two-five-one) progression in minor keys -- CH 5: Plural substitute chords and harmonic analysis in minor keys -- CH 6: Voiceleading of triads and four part chords -- CH 7: Chords using triad 'upper structures' - CH 8: Chords using four-part 'upper structures' -- CH 9: Pentatonic and blues scales, and their applications -- APPENDIX 1: II-V-I definitive chords and substitutes in major keys -- APPENDIX 2: II-V-I definitive chords and substitutes in minor keys -- APPENDIX 3: Voiceleading of triads and four-part chords, using the circle-of-fifths and circle-of -fourths -- APPENDIX 4: 'Upper structure' chords in major and minor keys -- APPENDIX 5: Pentatonic, minor pentatonic and blues scales -- GLOSSARY.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Books Books Academy of Music & Performing Arts Library On Display Non-fiction O 781.2164 HAR (Browse shelf(Opens below)) Available A00193

CH 1: Review of Contemporary Music Theory Level One -- CH 2: Five-part chords and the II-V-I (two-five-one) progression in major keys -- CH 3: Plural substitute chords and harmonic analysis in major keys -- Ch 4: Five-part chords and the II-V-I (two-five-one) progression in minor keys -- CH 5: Plural substitute chords and harmonic analysis in minor keys -- CH 6: Voiceleading of triads and four part chords -- CH 7: Chords using triad 'upper structures' - CH 8: Chords using four-part 'upper structures' -- CH 9: Pentatonic and blues scales, and their applications -- APPENDIX 1: II-V-I definitive chords and substitutes in major keys -- APPENDIX 2: II-V-I definitive chords and substitutes in minor keys -- APPENDIX 3: Voiceleading of triads and four-part chords, using the circle-of-fifths and circle-of -fourths -- APPENDIX 4: 'Upper structure' chords in major and minor keys -- APPENDIX 5: Pentatonic, minor pentatonic and blues scales -- GLOSSARY.

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