Dance as a theatre art : source readings in dance history from 1581 to the present / edited with commentary by Selma Jeanne Cohen.

By: Material type: TextTextPublication details: London : Dance Books, 1977.Edition: 1st British edDescription: viii, 224 p. : ill. ; 23 cmISBN:
  • 0903102307
  • 0903102315 (pbk.)
Subject(s): DDC classification:
  • 20 792.809 COH
Contents:
Introduction~The Evolution of Theatre Dance -- Section One~The Court Ballet : Rules and Directions for Dancing the "Passo e Mezo," from Il Ballerino (Venice, 1581) / Fabritio Caroso -- Ballet Comique de la Reine (Paris, 1582) / Balthasar de Beaujoyeulx -- How to Compose Successful Ballets, from La Manière de composer et faire réussir les ballets (Paris, 1641) / Saint-Hubert -- Section Two~Dance for the Eye and the Heart: The Eighteenth Century : The Minuet, from Der Rechtschaffener Tantzmeister (Leipzig, 1717) / Gottfried Taubert -- The Loves of Mars and Venue (London, 1717) / John Weaver -- Two Letters on Dancing, from Lettres sur la danse et les ballets (Stuttgart, 1760) / Jean Georges Noverre -- Section Three~The Invasion of the Air: The Romantic Era : An Account of the Principles of Our Traditions, from Théorie de la gymnastique de la danse théâtrale (Paris, 1859) / G. Léopold Adice -- La Syliphide (Copenhagen, 1836) / August Bournonville -- Reviews of Fanny Cerrito and Marie Guy-Stéphan, from La Presse (1846, 1853) / Théophile Gautier -- Section Four~New Life from Russia : The Sleeping Beauty (St. Petersburg, 1889) / Marius Petipa -- The New Ballet, from Argus (1916) / Michel Fokine -- The Creation of "Parade," from My Life in Ballet (New York, 1968) / Léonide Massine -- The Spirit of the Classic Dance, from Theatre Arts Monthly (1925) / André Levinson -- Section Five~The Modern Dance: Moving from the Inside Out : The Dancer of the Future, from The Art of the Dance (New York, 1928) / Isadora Duncan -- Music Visualization, from The Denishawn Magazine (1925) / Ruth St. Denis -- A Modern Dancer's Primer for Action, from Dance: A Basic Educational Technique (New York, 1941) / Martha Graham -- New Dance (New York, 1935) / Doris Humphrey -- The Philosophy of Modern Dance, from Europa (1933) / Mary Wigman -- Section Six~The Extension of the Classical Tradition : The Construction of the Lesson, from Basic Principles of Classical Ballet (Leningrad, 1934) / Agrippina Vaganova -- Our Point of View, from The Bolshoi Ballet (Moscow, 1960) / Yuri Slonimsky -- A Conversation, from Covent Garden Book (1964) / Frederick Ashton -- Talk About New Ballets, from Dance Magazine (1966) / Antony Tudor -- Dances at a Gathering, from Dance Magazine (1969) / Jerome Robbins -- Work in Progress, from Intellectua; Digest (1972) / George Balanchine -- Section Seven~Recent Rebels : Two Questions and Five Dances, from Dance Perspectives (1968) / Merce Cunningham -- Plan for a Television Production of "Tent," from Dance Perspectives (1971) / Alwin Nikolais -- "Vessel": An Opera Epic, from The Drama Review (1972) / Meredith Monk.
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Books Books Academy of Music & Performing Arts Library General Stacks Non-fiction 792.809 COH (Browse shelf(Opens below)) Available A04711

First published in 1974.

Bibliography: p. [217]-224.

Introduction~The Evolution of Theatre Dance -- Section One~The Court Ballet : Rules and Directions for Dancing the "Passo e Mezo," from Il Ballerino (Venice, 1581) / Fabritio Caroso -- Ballet Comique de la Reine (Paris, 1582) / Balthasar de Beaujoyeulx -- How to Compose Successful Ballets, from La Manière de composer et faire réussir les ballets (Paris, 1641) / Saint-Hubert -- Section Two~Dance for the Eye and the Heart: The Eighteenth Century : The Minuet, from Der Rechtschaffener Tantzmeister (Leipzig, 1717) / Gottfried Taubert -- The Loves of Mars and Venue (London, 1717) / John Weaver -- Two Letters on Dancing, from Lettres sur la danse et les ballets (Stuttgart, 1760) / Jean Georges Noverre -- Section Three~The Invasion of the Air: The Romantic Era : An Account of the Principles of Our Traditions, from Théorie de la gymnastique de la danse théâtrale (Paris, 1859) / G. Léopold Adice -- La Syliphide (Copenhagen, 1836) / August Bournonville -- Reviews of Fanny Cerrito and Marie Guy-Stéphan, from La Presse (1846, 1853) / Théophile Gautier -- Section Four~New Life from Russia : The Sleeping Beauty (St. Petersburg, 1889) / Marius Petipa -- The New Ballet, from Argus (1916) / Michel Fokine -- The Creation of "Parade," from My Life in Ballet (New York, 1968) / Léonide Massine -- The Spirit of the Classic Dance, from Theatre Arts Monthly (1925) / André Levinson -- Section Five~The Modern Dance: Moving from the Inside Out : The Dancer of the Future, from The Art of the Dance (New York, 1928) / Isadora Duncan -- Music Visualization, from The Denishawn Magazine (1925) / Ruth St. Denis -- A Modern Dancer's Primer for Action, from Dance: A Basic Educational Technique (New York, 1941) / Martha Graham -- New Dance (New York, 1935) / Doris Humphrey -- The Philosophy of Modern Dance, from Europa (1933) / Mary Wigman -- Section Six~The Extension of the Classical Tradition : The Construction of the Lesson, from Basic Principles of Classical Ballet (Leningrad, 1934) / Agrippina Vaganova -- Our Point of View, from The Bolshoi Ballet (Moscow, 1960) / Yuri Slonimsky -- A Conversation, from Covent Garden Book (1964) / Frederick Ashton -- Talk About New Ballets, from Dance Magazine (1966) / Antony Tudor -- Dances at a Gathering, from Dance Magazine (1969) / Jerome Robbins -- Work in Progress, from Intellectua; Digest (1972) / George Balanchine -- Section Seven~Recent Rebels : Two Questions and Five Dances, from Dance Perspectives (1968) / Merce Cunningham -- Plan for a Television Production of "Tent," from Dance Perspectives (1971) / Alwin Nikolais -- "Vessel": An Opera Epic, from The Drama Review (1972) / Meredith Monk.

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